Veins of Air

Image | Akie Haga Veins of Air (detail) 2026 | Photography by Akie Haga 

Exhibition | Veins of Air
Artist | Akie Haga
Dates | 11 June  18 July 2026
Opening | Thursday 11 June. Opening from 6pm and Official Speeches from 6:30pm  | RSVP here 
Workshop | Intro to Flameworking: Two-Day Workshop with Akie Haga at Glassworks | 10:30am Saturday 20 June 2026

 

Exhibition Statement  

Veins of Air is a new body of work by glass artist Akie Haga. The installation explores how air, though unseen, can be perceived through subtle shifts in form and movement.  

Using experimental glass forms, including clear, coloured, solid and blown elements, the works delicately trace organic structures such as seeds, pods and organic growths. Together the installation creates a fleeting, transparent landscape that evokes the quiet currents of air. 

 

Artist Biography

Akie Haga is a Canberra-based glass artist. With over 25 years of experience, she specialises in flameworking to create sculptures, installations and glass wearables that emphasise fine detailed forms. 

Born in Japan and trained in the UK and Australia, Akie studied at the ANU School of Art & Design. In 2006, she established an independent flameworking studio, which remains central to her work today. 

While she has long developed a practice in wearable glass, in recent years her focus has expanded to include sculpture and installation. Her current work draws on close observation of plants and the quiet familiarity of natural forms, translating these subtle impressions into glass. 

Akie has exhibited across Canberra and Australia. Most recent exhibitions include Soft Echo, National Botanic Gardens ACT (2025); So-Sei, Canberra Glassworks (2025). She is also a shortlisted artist for the 2026 Waterhouse Natural Science Art Prize 

 

Artist Statement

This installation explores how air, though invisible, can be understood through its effects. Movement is suggested through the arrangement of slender, grass-like forms, where subtle shifts in position and spacing evoke the way plant life responds to wind. 

The work is informed by close observation of everyday surroundings, where such gentle movements are often overlooked. Rather than being replicated directly, these observations are translated into simplified glass forms that emphasise rhythm, spacing and balance. Stillness becomes a way of holding movement, allowing the viewer to sense the presence of air through form alone. 

As part of the installation, a series of related works draws on recognisable plant forms, translated into refined and distilled glass structures. Together, they extend this close attention to observing, inviting a quiet recognition of familiar elements from the natural world.