$200 - $300

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A set of three handcrafted stainless steel Cheese knives.

Carefully crafted, they play on the manipulation of a single flat sheet of metal through a combination of folds, to create a functional and intriguing piece of cutlery - a deceptively simple structure for the simple pleasure of savouring cheese.

These Cheese Tools are perfect for cutting into a gooey camembert or smoky cheddar, even spreading dips onto crisp crackers. Contemporary and architectural in design, they are a stunning accompaniment to you cheese platters and perfect for food lovers.

The set includes three knives, a hard cheese knife, a soft cheese knife and a spreading knife.

Material: Stainless Steel

Dimensions: Each knife measures approx. 210mm in length.

Each set comes beautifully packaged in high quality tableware box complete with care instructions, an overview of our brand.

About the Makers: Ferro Forma is the culmination of a long standing partnership between Alison Jackson and Dan Lorrimer. They are a metalsmithing workshop specialising in handcrafted small batch edition objects that capture the hand of the maker and the heritage of our craft.

Alison Jackson is a designer, maker and contemporary Silversmith based in Braidwood, Australia. Completing a Gold and Silversmithing degree at the Australian National University, Alison holds over two decades of artistic and technical metal forming expertise.

With an aesthetic best described as elegant, timeless, and minimal, Alison showcases her work through her fine jewellery, tableware, large scale installation, limited editions and exhibition work.

Alison’s work is held in both public and private collections, including a large acquisition by the Canberra Museum and Gallery. A recipient of numerous notable awards and grants,  Alison’s work has been exhibited widely within Australia and also internationally, including at Inhorgenta (Germany) and Milan Design Week (Italy). 

Dan Lorrimer is a contemporary sculptor, machinist, fabricator and toolmaker. With a degree in Sculpture from the Australian National University, Dan has since diversified his work, significantly developing his skills across a wide range of technical areas, specialising in metal forming.

Dan’s sculpture practice explores notions of movement, energy, solidity and illusion through minimalist sculptural forms, often located between the artificial and natural world. He has exhibited widely across Australia and has work held in private collections across the country. 

Photos: Karina Sharpe

A simple U of titanium with a coloured glass rod threaded through the top. Sometimes the simplest designs are the best. Blanche’s rings are a must for any fashionista!

Materials: Titanium and flame worked bullseye glass

Dimensions: Small

Meet the Maker:  Blanche Tilden has created and exhibited contemporary jewellery, glass and design since 1990. She is a celebrated master of her trade, highly recognised and respected, nationally and internationally.  

‘During 25 years of practice in the fields, I have developed a unique visual and material vocabulary through an innovative use of glass and metals, creating jewellery and objects that reference mechanical technology, industrial modernity and architecture.’

Photos: Courtesy of the artist

Thank you for supporting local craft and design.

A simple U of titanium with a coloured glass rod threaded through the top. Sometimes the simplest designs are the best. Blanche’s rings are a must for any fashionista!

Materials: Titanium, and flame worked bullseye glass

Dimensions: Medium

Meet the Maker:  Blanche Tilden has created and exhibited contemporary jewellery, glass and design since 1990. She is a celebrated master of her trade, highly recognised and respected, nationally and internationally.  

‘During 25 years of practice in the fields, I have developed a unique visual and material vocabulary through an innovative use of glass and metals, creating jewellery and objects that reference mechanical technology, industrial modernity and architecture.’

Photos: Courtesy of the artist. 

Thank you for supporting local craft and design.

Designed to hold cocktails or water, this tall and elegant carafe makes bold centrepiece for your dining table.

During the blowing process, the sides of the carafe are heated and compressed to create indents on the side that allow for easy grip, making it easy to pour when full. The carafe comes with a straight stirring stick for mixing cocktails.

Material: Hand Blown Glass

Dimensions: H 37 cm x W 10 cm x D 10 cm

About the Maker: Katie-Ann Houghton (KAH) aims to challenge the culture of mass consumption by creating work with innovative design and handmade quality. Katie’s design philosophy is based around the idea that the objects that we engage with every day should engage our senses and bring us joy through use.  

Designed to be both functional and practical, KAH aims to change the conventional expectations of tableware, and have us view each piece as both a piece of contemporary design and an object of use.

Katie-Ann Houghton is an Artist, Designer and Maker based in Sydney Australia. Her contemporary works are inspired by early 20th Century Design and embody a decade long passion for traditional Venetian glassmaking techniques.

Photos: Lean Timms

A stainless steel bracelet by leading Australian contemporary glass and jewellery designer Blanche Tilden. 

Materials: stainless steel chain, handmade anodised titanium catch (blue)

Dimensions: Variable

Meet the Maker:  Blanche Tilden has created and exhibited contemporary jewellery, glass and design since 1990. She is a celebrated master of her trade, highly recognised and respected, nationally and internationally.  

‘During 25 years of practice in the fields, I have developed a unique visual and material vocabulary through an innovative use of glass and metals, creating jewellery and objects that reference mechanical technology, industrial modernity and architecture.’  

Photo: Courtesy of the artist

In collaboration with glass artist, Brenden Scott French

Materials: Kiln formed glass with stainless steel brooch back.

Dimensions: Variable

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation.

Materials: Leather and Nylon Strap

Dimensions: H 18 cm × W 17 cm | Adjustable strap

About the artist: MW Leather is Megan Watson, a leather atelier, photographer, and filmmaker, living and working in the heart of Canberra.

Using traditional techniques all MW Leather products are individually created and handsewn with care and attention to detail.  With a focus on good design and quality materials, each piece has it’s own unique characteristics and will develop over time to reflect the users own personality.  MW Leather creations, range from wallets and accessories to bags and custom commissions, they showcase not only Megan’s skill, but also her commitment to quality and locally produced goods that are designed to last many years.

Photos: Craft and Design Canberra

This miniature kintsugi ring is gorgeously tactile as it encircles your finger. It is beautiful to look at and difficult to resist playing with.

Material: Stainless Steel machine chain and 18ct gold rivet

Dimensions: Small - ring size J  / Medium - ring size P / Large - ring size V

Meet the Maker:  Blanche Tilden has created and exhibited contemporary jewellery, glass and design since 1990. She is a celebrated master of her trade, highly recognised and respected, nationally and internationally.  

‘During 25 years of practice in the fields, I have developed a unique visual and material vocabulary through an innovative use of glass and metals, creating jewellery and objects that reference mechanical technology, industrial modernity and architecture.’

Photos: courtesy of the artist

Thank you for supporting local craft and design.

The This Mess series explores our values and relationship with single-use plastic, transforming discarded waste into previous and one-off artefacts.

Each piece is individually sculpted from polystyrene, transformed into sterling silver and hand painted.

Materials: sterling silver, enamel paint,

Dimensions: 50 - 60 cm sterling silver chain.

About the maker: Polly Dymond creates contemporary jewellery objects from her studio at JamFactory Adelaide. 

Dymond's current practice is driven by a deep love of the natural and elemental combined with despair over the loss of craftsmanship and disposability of contemporary objects and materials (plastic, plastic, plastic)! The resulting jewellery and objects possess a duality of process; forging and forming exploring ancient traditional techniques alongside the manipulation and metamorphosis of discarded single use packaging and plastics, transforming them into precious and permanent artefacts. 

These hoops are made from fine silver, with a sterling silver wire. They are thin and delicate, made to imitate fabric. As fabric is malleable, these earrings are also malleable if too much pressure is applied to them. 

Fine silver is even more precious than sterling silver with 99.9% purity. These earrings should be handled like the precious objects they are.

Materials: Fine silver, sterling silver

Dimensions: L 50 mm x W 32 mm 

Meet the Maker: Nicola Knackstredt discovered silversmithing as an adult, and stepped away from a career as a human rights lawyer to pursue her interest. She studied Gold & Silversmithing at the Australian National University in Canberra, where she was recognised for excellence in gold and silversmithing in her first year of studies. Nicola has since turned her interest into a business.

Photo: Maddie Manning Photography 

Kirstie Rea is an internationally celebrated Canberra-based glass maker.

Her signature glass blankets symbolise care, but also fragility.

Material: Kiln formed glass

Dimensions: 80 mm x 80 mm

About the Maker: Kirstie Rea. Having established her studio in 1987, following her graduation from the Glass program at the Canberra School of Art, Kirstie has over the past 29 years continued to develop her practice to become internationally recognised and respected for her works in glass.  

Eggpicnic believe in long lasting products and transparent and honest design processes. Their designs are printed on 320 gsm archival fibre-based cotton rag and each print is individually signed by hand by Camila, Co-founder of Eggpicnic. They are designed and made in-house in their studio in Canberra.  

Materials: 320 gsm archival fibre-based cotton rag print framed in a wooden frame

Dimensions: 42 x 76cm unframed

Meet the Makers: Canberra welcomes two new designers and birders to our community, Camila De Gregorio and Christopher Macaluso the creative minds behind Eggpicnic. In their Canberra-based design studio, the two designer-makers produce fine art prints and public art to end wildlife extinction through education. 

Photos:  Eggpicnic 

Materials: Hand etched and hand painted Perspex and acrylic paint bangle.

Dimensions: Variable | 4.5 cm to 9 cm

Meet the Maker: Grace Hummerston is the designer maker behind Hum Design Studio. She makes sustainable, ethical and unique statement jewellery from manufacturing discards.

Images: Craft + Design Canberra

Materials: Hot blown glass with canework

Dimensions: W 0.5 - 1 cm H 2.5 - 4.5cm Sizes vary

Meet the Maker: Aunty Jenni Kemarre Martiniello in an Award winning visual artist, poet, writer, and photographer of Arrernte, Chinese and Anglo-Celtic descent. She is a highly respected Arrernte glass artist from Central Australia who combines the traditional Aboriginal practice of weaving with the European practice of glass making. 

Jenni’s glass works have been exhibited in numerous exhibitions, including solo exhibitions at Canberra Contemporary Art Space, Belconnen Arts Centre, Canberra Glassworks and Sabbia Gallery in Sydney.

Photos: 5 Foot Photography

Materials: Bronze, sterling silver, sealant

Dimensions: 30 x 21 x 10 mm

About the maker: Rebecca Selleck is a Canberra-based artist with a focus on sculpture and interactive installation, blending furniture, intricate casting, assemblage, soft sculpture and animatronics. She completed her Bachelor of Visual Arts at the ANU School of Art with First Class Honours, majoring in Sculpture and Art Theory, and also holds a Bachelor of Communications, majoring in Creative Writing and Literary Studies. She uses her practice to reciprocally investigate and challenge her own perceptions within a culture of conflicting truths. Her work overlays time and place to express the need for human accountability and the painful complexities of animal and environmental ethics in Australia.

Rebecca is the recipient of multiple awards, including the prestigious Peter and Lena Karmel Anniversary Prize for best graduating student at the ANU School of Art, and the 2023 Lake Light Sculpture Major Prize. She has exhibited across Australia and internationally. She was a finalist in the inaugural 2017 Ramsay Art Prize at the Art Gallery of South Australia and in 2018 the Arte Laguna Prize in Venice, Italy; the Macquarie Art Prize; the Ravenswood Art Prize (Highly Commended); and the Churchie Art Prize. She participated in the 2022 Adelaide Biennial at the Art Gallery of South Australia and toured nationally in the Experimenta: Lifeforms - International Triennial of Media Art. Her work is held in public collections including the Art Gallery of South Australia, Art Gallery of New South Wales, Museum of Australian Democracy, Western Plains Cultural Centre, Bendigo Art Gallery, and Shepparton Art Museum.

Photos: Courtesy of the Artist

Materials: Bronze, sterling silver, sealant

Dimensions: 16 x 19 x 6 mm on 55 cm chain

About the maker: Rebecca Selleck is a Canberra-based artist with a focus on sculpture and interactive installation, blending furniture, intricate casting, assemblage, soft sculpture and animatronics. She completed her Bachelor of Visual Arts at the ANU School of Art with First Class Honours, majoring in Sculpture and Art Theory, and also holds a Bachelor of Communications, majoring in Creative Writing and Literary Studies. She uses her practice to reciprocally investigate and challenge her own perceptions within a culture of conflicting truths. Her work overlays time and place to express the need for human accountability and the painful complexities of animal and environmental ethics in Australia.

Rebecca is the recipient of multiple awards, including the prestigious Peter and Lena Karmel Anniversary Prize for best graduating student at the ANU School of Art, and the 2023 Lake Light Sculpture Major Prize. She has exhibited across Australia and internationally. She was a finalist in the inaugural 2017 Ramsay Art Prize at the Art Gallery of South Australia and in 2018 the Arte Laguna Prize in Venice, Italy; the Macquarie Art Prize; the Ravenswood Art Prize (Highly Commended); and the Churchie Art Prize. She participated in the 2022 Adelaide Biennial at the Art Gallery of South Australia and toured nationally in the Experimenta: Lifeforms - International Triennial of Media Art. Her work is held in public collections including the Art Gallery of South Australia, Art Gallery of New South Wales, Museum of Australian Democracy, Western Plains Cultural Centre, Bendigo Art Gallery, and Shepparton Art Museum.

Photos: Courtesy of the Artist

Sollo is a distinguished grande mill intended to create a striking seasoning centerpiece for any meal table. The rotating slender neck sits comfortably in your hand, with the sphere base nestled into the palm of your opposite hand allowing you to grind with ease.

Materials: Australian jacaranda and internal crushgrind mechanism

Dimensions: H 90 mm x W 50 mm

About the Maker: "Nick Rennie is a leading figure in the current Australian design landscape. He looks to explore design that takes its inspiration from interaction with everyday items. To breathe new life into the repetition of domesticity, and to do it in a way that engages the user anew." - Made by Pen

Photos by Made by Pen

Materials: fused, kiln formed glass

Dimensions: D 35 cm x H 5 cm

From the maker: "Limitations imposed by kilnsizes make design, layout and dimensions important for my work. The glass, with it's light and pure colours bring the dull black and white sketch plans to life. Seemingly with a mind of it's own the molten glass will decide just exactly where it will run, to bring another challenge to a most rewarding process. Using a 'parfused' or 'contoured fusing" process, gives the finished pieces more texture and more edges for the light and colours to move and intermingle." Peter Revelman

Images: Craft + Design Canberra

Material: Oxidised bronze and silver, onyx.

Dimensions: 35 mm x 10mm (overall) | 450 mm adjustable chain.

About the Maker: 

Australian born contemporary jewellery designer Rebecca Hinwood spent her
childhood surrounded by the natural landscape of Sydney’s Northern Beaches (New
South Wales, Australia). The native bushland surrounding her home became her
playground. Going on bush walks and collecting natural objects, she was fascinated
by everything she came across and the details each object possessed.

This fascination continues to grow today and has developed to include the many
more beautiful and unique characteristics that Australia’s natural environment
contains. Her love for the vast variety of forms and colours of the Australian landscape is expressed through her hand made contemporary jewellery creations.

Photos: Craft + Design Canberra

A simple U of titanium with a coloured glass rod threaded through the top. Sometimes the simplest designs are the best. Blanche’s rings are a must for any fashionista!

Materials: Titanium, and flame worked bullseye glass

Dimensions: Large

Meet the Maker:  Blanche Tilden has created and exhibited contemporary jewellery, glass and design since 1990. She is a celebrated master of her trade, highly recognised and respected, nationally and internationally.  

‘During 25 years of practice in the fields, I have developed a unique visual and material vocabulary through an innovative use of glass and metals, creating jewellery and objects that reference mechanical technology, industrial modernity and architecture.’

Photos: Courtesy of the artist

Materials: 999 silver, 925 silver

Dimensions: Size N1/2

Meet the Maker: Danielle Lo is an emerging contemporary jeweller who has a deep fascination with her presence and sense of place amongst nature. Her works are gentle reflections of the organic environments around us, demonstrated through botanical forms, floral motifs and other imagery borrowed from nature. From her Sydney studio, she crafts intimate pieces that explore the physical world around her.

Lo has a meditative practice which draws ideas from the Buddhist theories of Zen. Reflective of this, her works search for strength and inner peace. This is reflected through their delicate designs and the intricate details that are a product meditative handcrafting.

Lo predominately works in gold, silver and enamel using lost wax casting and traditional silversmithing techniques. Each line, shape or form that Lo makes is a physical testament to the conceptual ideas that she invests herself in. Wearers of her jewellery are to feel the peace that Lo has found through the healing process of making.

The This Mess series explores our values and relationships with single-use plastic, transforming discarded waste into precious and one-off artefacts.

Each piece is individually sculpted from polystyrene, transformed into sterling silver and hand painted. 

Materials: sterling silver, enamel paint, stainless steel fastener.

Dimensions: Approx H 25 mm x W 20 mm

About the Maker: Polly Dymond creates contemporary jewellery objects from her studio at JamFactory Adelaide.

Dymond's current practice is driven by a deep love of the natural and elemental combined with despair over the loss of craftsmanship and disposability of contemporary objects and materials (plastic, plastic, plastic)! The resulting jewellery and objects possess a duality of process; forging and forming exploring ancient traditional techniques alongside the manipulation and metamorphosis of discarded single use packaging and plastics, transforming them into precious and permanent artefacts. 

"Roman Holiday" series is based on forms from ancient Roman archaeological digs. 

Materials: Recycled sterling silver, cast from a hand carved wax model. 

Dimensions: 250 mm curb chain | Pendant D 20 mm

Meet the Maker: Erin Daniell is a contemporary jeweller and visual artist in Adelaide, South Australia.  Her works explore the concept of beauty and imperfection, in the form of small-scale sculptures cast from hand carved wax or natural materials with traditional silversmithing techniques. As a female artist she believes that jewellery can be a powerful marker of identity and expression.

Material: Glass

Dimensions: Approx Length to pendant 34 cm | Length to end of tassel 48 cm

Meet the Maker: Katherine Grocott is a contemporary jeweller and paper artist who focuses on jewellery as memory keeper, story teller and commentator on the world and an educator committed to helping students learn jewellery making skills.

Katherine’s work is quite visually strong and graphic featuring clean lines and contemporary, modern design. She appreciates minimalism and this features prominently in her work.

Over the years, her commitment to environmental sustainability has influenced Katherine’s design process. Recycled and found objects feature in her work, and she sources recycled metals as much as possible. The materials Katherine uses are varied, including silver and titanium, acrylic, plexiglass and plastic. Gemstones are a new addition to her repertoire. In terms of found objects, she has made jewellery utilising x-rays, vintage serving platters, plastic tubing, tea infusers, venetian blinds, and perfume sample bottles amongst other materials.

Material: Hand dyed, laser sintered nylon

Dimensions: Approximate diameter 19 cm

Meet the Maker: Katherine Grocott is a contemporary jeweller and paper artist who focuses on jewellery as memory keeper, story teller and commentator on the world and an educator committed to helping students learn jewellery making skills.

Katherine’s work is quite visually strong and graphic featuring clean lines and contemporary, modern design. She appreciates minimalism and this features prominently in her work.

Over the years, her commitment to environmental sustainability has influenced Katherine’s design process. Recycled and found objects feature in her work, and she sources recycled metals as much as possible. The materials Katherine uses are varied, including silver and titanium, acrylic, plexiglass and plastic. Gemstones are a new addition to her repertoire. In terms of found objects, she has made jewellery utilising x-rays, vintage serving platters, plastic tubing, tea infusers, venetian blinds, and perfume sample bottles amongst other materials.

Dimensions: 3cm diameter; length from hook, 6cm 

About the Artist: Sarra Tzijan is an Indian-Australian artist originally from Melbourne currently based at JamFactory in Adelaide, South Australia.

Tzijan’s practice spans sculpture, jewellery and design, focusing on the combination of traditional craft hand skills with contemporary art.

There is a strong reference to illustration that featured more prominently early in her career. Tzijan often treats the metal like paper, marking it in a way that is intuitive and spontaneous.

Tzijan often brings in other hands, voices and materials in her processes, acknowledging the importance of others in the making.

Material: Glass

Dimensions: Approx Length to pendant 34 cm | Length to end of tassel 48 cm

Meet the Maker: Katherine Grocott is a contemporary jeweller and paper artist who focuses on jewellery as memory keeper, story teller and commentator on the world and an educator committed to helping students learn jewellery making skills.

Katherine’s work is quite visually strong and graphic featuring clean lines and contemporary, modern design. She appreciates minimalism and this features prominently in her work.

Over the years, her commitment to environmental sustainability has influenced Katherine’s design process. Recycled and found objects feature in her work, and she sources recycled metals as much as possible. The materials Katherine uses are varied, including silver and titanium, acrylic, plexiglass and plastic. Gemstones are a new addition to her repertoire. In terms of found objects, she has made jewellery utilising x-rays, vintage serving platters, plastic tubing, tea infusers, venetian blinds, and perfume sample bottles amongst other materials.

Materials: Glass

Dimensions: Length to pendant 34 cm Length to end of tassle 48 cm

Meet the Maker: Katherine Grocott is a contemporary jeweller and paper artist who focuses on jewellery as memory keeper, story teller and commentator on the world and an educator committed to helping students learn jewellery making skills.

Katherine’s work is quite visually strong and graphic featuring clean lines and contemporary, modern design. She appreciates minimalism and this features prominently in her work.

Over the years, her commitment to environmental sustainability has influenced Katherine’s design process. Recycled and found objects feature in her work, and she sources recycled metals as much as possible. The materials Katherine uses are varied, including silver and titanium, acrylic, plexiglass and plastic. Gemstones are a new addition to her repertoire. In terms of found objects, she has made jewellery utilising x-rays, vintage serving platters, plastic tubing, tea infusers, venetian blinds, and perfume sample bottles amongst other materials.

Materials: Glass

Dimensions: Approx Length to pendant 34 cm | Length to end of tassel 48 cm

Meet the Maker: Katherine Grocott is a contemporary jeweller and paper artist who focuses on jewellery as memory keeper, story teller and commentator on the world and an educator committed to helping students learn jewellery making skills.

Katherine’s work is quite visually strong and graphic featuring clean lines and contemporary, modern design. She appreciates minimalism and this features prominently in her work.

Over the years, her commitment to environmental sustainability has influenced Katherine’s design process. Recycled and found objects feature in her work, and she sources recycled metals as much as possible. The materials Katherine uses are varied, including silver and titanium, acrylic, plexiglass and plastic. Gemstones are a new addition to her repertoire. In terms of found objects, she has made jewellery utilising x-rays, vintage serving platters, plastic tubing, tea infusers, venetian blinds, and perfume sample bottles amongst other materials.

Materials: Glass

Dimensions: Approx Length to pendant 34 cm | Length to end of tassel 48 cm

Meet the Maker: Katherine Grocott is a contemporary jeweller and paper artist who focuses on jewellery as memory keeper, story teller and commentator on the world and an educator committed to helping students learn jewellery making skills.

Katherine’s work is quite visually strong and graphic featuring clean lines and contemporary, modern design. She appreciates minimalism and this features prominently in her work.

Over the years, her commitment to environmental sustainability has influenced Katherine’s design process. Recycled and found objects feature in her work, and she sources recycled metals as much as possible. The materials Katherine uses are varied, including silver and titanium, acrylic, plexiglass and plastic. Gemstones are a new addition to her repertoire. In terms of found objects, she has made jewellery utilising x-rays, vintage serving platters, plastic tubing, tea infusers, venetian blinds, and perfume sample bottles amongst other materials.

Materials: Hollow, pale blue titanium

Dimensions: 32mm

Meet the Maker: Sarah Murphy maintains her practice in Canberra at M16 Artspace where she creates her work to exhibit nationally.

She says of her work ‘Rhythm, repetition and movement are the fundamentals which are often the driving forces behind my work. I use repetition as a rhythm and a play between worlds of colour, movement and shape. In life we experience repetition every day. The simple act of walking, breathing or the sound of our own heartbeat. The gesture or movement of the human body, creating its own random yet syncopated pattern. The use of repetition in my work creates structure.  The presence of structure in our lives gives us the sense that we are somehow in control of our own existence. I enjoy creating jewellery with these characteristics and exploring how this might affect the relationship between the wearer the viewer and the piece itself.’

Materials: Screen printed panel on marine ply with powder coated steel edge and handles.

Dimensions: L 63 cm x W 24 cm 

About the Maker: Estelle Briedis is an emerging Canberra based surface designer and screen printer who specialises in creating original pattern designs, exploring ideas of architectural geometry, the mathematical process of tessellation and the aesthetics of symmetry. Estelle graduated from the Australian National University School of Art and Design in 2015, with First Class Honours in Bachelor of Design Arts, exhibits her works nationally and is stocked in several stores Australia wide.

Photos: Anisa Sabet