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The Cambridge earrings are made locally sourced, reclaimed stainless steel available in a brush finish and matt black.

Materials: Welded stainless steel (hypoallergenic, light, and non-tarnish)

Dimensions: 22 mm (diameter)

About the Makers: Founded in 2011, Days of August's signature look comes from it's unconventional use of industrial grade stainless steel - a metal not typically used to make jewellery - which meant reinventing and adapting traditional fabrication techniques to accommodate its solidity and strength.

Stainless steel perfectly complements the maker, Marie-Pier, design style - minimal and intentionally simple - and with it she creates architectural and contemporary statement pieces. Believing in timelessness over trends, he combines clean lines and considered composition to create wearable jewellery essentials that transcend the seasons.

With a focus on sustainability, Marie-Pier put in place eco-friendly practices from the start, and is now partnering with Ecologi to offset her environmental footprint, making Days of August a 100% carbon neutral business.

Photos: Courtesy of the Artist. 

Delicate in design, the perfect way to deliver sugar and spice with exquisite detailed craftsmanship.

Gentle curves and elegant details of the spoon sit beautifully against the natural warmth of solid brass adding an understated elegance to your daily rituals.

Skillfully handcrafted to be used daily for many years to come, it will become a much loved treasured piece in your home.

Material: Handcrafted in high quality stainless steel with a solid brass handle, finished in our original signature satin finish.

Dimensions: 15.5cm long x 3.5cm wide

About the Makers: Ferro Forma is the culmination of a long-standing partnership between Alison Jackson and Dan Lorrimer. They are a metalsmithing workshop specialising in handcrafted small batch edition objects that capture the hand of the maker and the heritage of our craft.

Alison Jackson is a designer, maker and contemporary Silversmith based in Braidwood, Australia. Completing a Gold and Silversmithing degree at the Australian National University, Alison holds over two decades of artistic and technical metal forming expertise.

With an aesthetic best described as elegant, timeless, and minimal, Alison showcases her work through her fine jewellery, tableware, large scale installation, limited editions and exhibition work.

Alison’s work is held in both public and private collections, including a large acquisition by the Canberra Museum and Gallery. A recipient of numerous notable awards and grants,  Alison’s work has been exhibited widely within Australia and also internationally, including at Inhorgenta (Germany) and Milan Design Week (Italy). 

Dan Lorrimer is a contemporary sculptor, machinist, fabricator and toolmaker. With a degree in Sculpture from the Australian National University, Dan has since diversified his work, significantly developing his skills across a wide range of technical areas, specialising in metal forming.

Dan’s sculpture practice explores notions of movement, energy, solidity and illusion through minimalist sculptural forms, often located between the artificial and natural world. He has exhibited widely across Australia and has work held in private collections across the country. 

Photos: Ferro Forma

Elevate your cheese tasting experience with our exquisitely handcrafted cheese knife.

A perfect accompaniment to a cosy fireside evening with a favourite glass of red, or a shared cheese board with friends.

Pairing elegant sweeping curves with an assuring gentle weight, the knife is effortless to use. A timeless, quality crafted, sophisticated addition to your home. 

Material: Handcrafted in high quality stainless steel with a solid brass handle, finished in our original signature satin finish.

Dimensions: 15cm long x 3.5cm wide

About the Makers: Ferro Forma is the culmination of a long-standing partnership between Alison Jackson and Dan Lorrimer. They are a metalsmithing workshop specialising in handcrafted small batch edition objects that capture the hand of the maker and the heritage of our craft.

Alison Jackson is a designer, maker and contemporary Silversmith based in Braidwood, Australia. Completing a Gold and Silversmithing degree at the Australian National University, Alison holds over two decades of artistic and technical metal forming expertise.

With an aesthetic best described as elegant, timeless, and minimal, Alison showcases her work through her fine jewellery, tableware, large scale installation, limited editions and exhibition work.

Alison’s work is held in both public and private collections, including a large acquisition by the Canberra Museum and Gallery. A recipient of numerous notable awards and grants,  Alison’s work has been exhibited widely within Australia and also internationally, including at Inhorgenta (Germany) and Milan Design Week (Italy). 

Dan Lorrimer is a contemporary sculptor, machinist, fabricator and toolmaker. With a degree in Sculpture from the Australian National University, Dan has since diversified his work, significantly developing his skills across a wide range of technical areas, specialising in metal forming.

Dan’s sculpture practice explores notions of movement, energy, solidity and illusion through minimalist sculptural forms, often located between the artificial and natural world. He has exhibited widely across Australia and has work held in private collections across the country. 

Photos: Ferro Forma

Defined by its flowing curvaceous form, our masterfully handcrafted serving tongs are a refined serving alternative for your table.

Embracing an elegant functional design, the brass curved hinge gives just the right amount of spring. Its strong sculptural form brings intrigue to the table and invites use - a perfect companion for serving roasted vegetables and zesty summer salads.

The solid brass hinge wraps the stainless steel pieces, fastening together with secure hand hammered brass rivets. The narrowing of the handle allows for a comfortable grasp and a balanced weight in the hand.

Material: Handcrafted in high quality stainless steel with a solid brass handle, finished in our original signature satin finish.

Dimensions: 21cm long x 4.5cm wide

About the Makers: Ferro Forma is the culmination of a long-standing partnership between Alison Jackson and Dan Lorrimer. They are a metalsmithing workshop specialising in handcrafted small batch edition objects that capture the hand of the maker and the heritage of our craft.

Alison Jackson is a designer, maker and contemporary Silversmith based in Braidwood, Australia. Completing a Gold and Silversmithing degree at the Australian National University, Alison holds over two decades of artistic and technical metal forming expertise.

With an aesthetic best described as elegant, timeless, and minimal, Alison showcases her work through her fine jewellery, tableware, large scale installation, limited editions and exhibition work.

Alison’s work is held in both public and private collections, including a large acquisition by the Canberra Museum and Gallery. A recipient of numerous notable awards and grants,  Alison’s work has been exhibited widely within Australia and also internationally, including at Inhorgenta (Germany) and Milan Design Week (Italy). 

Dan Lorrimer is a contemporary sculptor, machinist, fabricator and toolmaker. With a degree in Sculpture from the Australian National University, Dan has since diversified his work, significantly developing his skills across a wide range of technical areas, specialising in metal forming.

Dan’s sculpture practice explores notions of movement, energy, solidity and illusion through minimalist sculptural forms, often located between the artificial and natural world. He has exhibited widely across Australia and has work held in private collections across the country. 

Photos: Ferro Forma

Ferro Forma's beautifully curved serving spoon effortlessly brings quality artisan craftsmanship to your table.

Designed and handcrafted with daily use in mind, it will be a family favourite to reach for to serve delicious home cooked meals to loved ones - from a warm winter salad to a tangy lemon delicious.

The elongated solid brass handle adds comfort and ease of use whilst the stainless steel spoon bowl is food safe and sturdy - a perfect union of form and function.

Material: Handcrafted in high quality stainless steel with a solid brass handle, finished in our original signature satin finish.

Dimensions: 25cm long x 7cm wide

About the Makers: Ferro Forma is the culmination of a long-standing partnership between Alison Jackson and Dan Lorrimer. They are a metalsmithing workshop specialising in handcrafted small batch edition objects that capture the hand of the maker and the heritage of our craft.

Alison Jackson is a designer, maker and contemporary Silversmith based in Braidwood, Australia. Completing a Gold and Silversmithing degree at the Australian National University, Alison holds over two decades of artistic and technical metal forming expertise.

With an aesthetic best described as elegant, timeless, and minimal, Alison showcases her work through her fine jewellery, tableware, large scale installation, limited editions and exhibition work.

Alison’s work is held in both public and private collections, including a large acquisition by the Canberra Museum and Gallery. A recipient of numerous notable awards and grants,  Alison’s work has been exhibited widely within Australia and also internationally, including at Inhorgenta (Germany) and Milan Design Week (Italy). 

Dan Lorrimer is a contemporary sculptor, machinist, fabricator and toolmaker. With a degree in Sculpture from the Australian National University, Dan has since diversified his work, significantly developing his skills across a wide range of technical areas, specialising in metal forming.

Dan’s sculpture practice explores notions of movement, energy, solidity and illusion through minimalist sculptural forms, often located between the artificial and natural world. He has exhibited widely across Australia and has work held in private collections across the country. 

Photos: Ferro Forma

A future family heirloom, the Ferro Forma cake server will be there to celebrate birthdays and milestones for many years to come.

The soft warmth of brass and boldness of stainless steel pair together with tactile rivets of brass, creating a delightful serving experience for cakes, pies and tarts - elevating cosy meals and special occasions.

Material: Handcrafted in high quality stainless steel with a solid brass handle, finished in our original signature satin finish.

Dimensions: 32cm long x 6.5cm wide

About the Makers: Ferro Forma is the culmination of a long-standing partnership between Alison Jackson and Dan Lorrimer. They are a metalsmithing workshop specialising in handcrafted small batch edition objects that capture the hand of the maker and the heritage of our craft.

Alison Jackson is a designer, maker and contemporary Silversmith based in Braidwood, Australia. Completing a Gold and Silversmithing degree at the Australian National University, Alison holds over two decades of artistic and technical metal forming expertise.

With an aesthetic best described as elegant, timeless, and minimal, Alison showcases her work through her fine jewellery, tableware, large scale installation, limited editions and exhibition work.

Alison’s work is held in both public and private collections, including a large acquisition by the Canberra Museum and Gallery. A recipient of numerous notable awards and grants,  Alison’s work has been exhibited widely within Australia and also internationally, including at Inhorgenta (Germany) and Milan Design Week (Italy). 

Dan Lorrimer is a contemporary sculptor, machinist, fabricator and toolmaker. With a degree in Sculpture from the Australian National University, Dan has since diversified his work, significantly developing his skills across a wide range of technical areas, specialising in metal forming.

Dan’s sculpture practice explores notions of movement, energy, solidity and illusion through minimalist sculptural forms, often located between the artificial and natural world. He has exhibited widely across Australia and has work held in private collections across the country. 

Photos: Ferro Forma

Handcrafted one of a kind.

Individually hand cut, filed, shaped, formed, hammered and finished. Each one is beautiful dish shape to store your treasured jewellery pieces and keep them within easy reach.

Beautifully packaged in our gift boxes ready for gifting.

Material: Stainless steel, sold individually

Dimensions: ~9cm diameter, 1.2cm deep

About the Makers: Ferro Forma is the culmination of a long-standing partnership between Alison Jackson and Dan Lorrimer. They are a metalsmithing workshop specialising in handcrafted small batch edition objects that capture the hand of the maker and the heritage of our craft.

Alison Jackson is a designer, maker and contemporary Silversmith based in Braidwood, Australia. Completing a Gold and Silversmithing degree at the Australian National University, Alison holds over two decades of artistic and technical metal forming expertise.

With an aesthetic best described as elegant, timeless, and minimal, Alison showcases her work through her fine jewellery, tableware, large scale installation, limited editions and exhibition work.

Alison’s work is held in both public and private collections, including a large acquisition by the Canberra Museum and Gallery. A recipient of numerous notable awards and grants,  Alison’s work has been exhibited widely within Australia and also internationally, including at Inhorgenta (Germany) and Milan Design Week (Italy). 

Dan Lorrimer is a contemporary sculptor, machinist, fabricator and toolmaker. With a degree in Sculpture from the Australian National University, Dan has since diversified his work, significantly developing his skills across a wide range of technical areas, specialising in metal forming.

Dan’s sculpture practice explores notions of movement, energy, solidity and illusion through minimalist sculptural forms, often located between the artificial and natural world. He has exhibited widely across Australia and has work held in private collections across the country. 

Photos: Karina Sharpe images 1, Lean Timms image 2

Individually hand hammered handles make each piece truly unique, capturing the hand of the maker and the showcasing our traditional craft. 

Inspired by their much-loved, sell out, limited-edition Brass Wagtail Scoops, the stainless steel wagtail scoops are a new addition to Ferro Forma's Signature Flatware Collection. Robust and sturdy, ready for years and years of use in your home, they need little to no maintenance to keep them looking as good as new.

Choose between the small or large Wagtail Scoop - both perfectly suited to your daily rituals and little moments in your kitchen.

Whether you're scooping flour for baking brownies or measuring out tea leaves for a hot cuppa - a Ferro Forma wagtail scoop will no doubt be a favourite you reach for again and again for all manner of things! Keep out on a shelf as a beautifully crafted object to admire whilst being within reach for whenever you need it. 

Material: Stainless steel, sold individually

Dimensions: 11cm long, 7cm wide across the bowl

About the Makers: Ferro Forma is the culmination of a long-standing partnership between Alison Jackson and Dan Lorrimer. They are a metalsmithing workshop specialising in handcrafted small batch edition objects that capture the hand of the maker and the heritage of our craft.

Alison Jackson is a designer, maker and contemporary Silversmith based in Braidwood, Australia. Completing a Gold and Silversmithing degree at the Australian National University, Alison holds over two decades of artistic and technical metal forming expertise.

With an aesthetic best described as elegant, timeless, and minimal, Alison showcases her work through her fine jewellery, tableware, large scale installation, limited editions and exhibition work.

Alison’s work is held in both public and private collections, including a large acquisition by the Canberra Museum and Gallery. A recipient of numerous notable awards and grants,  Alison’s work has been exhibited widely within Australia and also internationally, including at Inhorgenta (Germany) and Milan Design Week (Italy). 

Dan Lorrimer is a contemporary sculptor, machinist, fabricator and toolmaker. With a degree in Sculpture from the Australian National University, Dan has since diversified his work, significantly developing his skills across a wide range of technical areas, specialising in metal forming.

Dan’s sculpture practice explores notions of movement, energy, solidity and illusion through minimalist sculptural forms, often located between the artificial and natural world. He has exhibited widely across Australia and has work held in private collections across the country. 

Photos: Karina Sharpe images 1, Lean Timms image 2

Individually hand hammered handles make each piece truly unique, capturing the hand of the maker and the showcasing our traditional craft. 

Inspired by their much-loved, sell out, limited-edition Brass Wagtail Scoops, the stainless steel wagtail scoops are a new addition to Ferro Forma's Signature Flatware Collection. Robust and sturdy, ready for years and years of use in your home, they need little to no maintenance to keep them looking as good as new.

Choose between the small or large Wagtail Scoop - both perfectly suited to your daily rituals and little moments in your kitchen.

Whether you're scooping flour for baking brownies or measuring out tea leaves for a hot cuppa - a Ferro Forma wagtail scoop will no doubt be a favourite you reach for again and again for all manner of things! Keep out on a shelf as a beautifully crafted object to admire whilst being within reach for whenever you need it. 

Material: Stainless steel, sold individually

Dimensions: 7cm long, 4.5cm wide across the bowl

About the Makers: Ferro Forma is the culmination of a long-standing partnership between Alison Jackson and Dan Lorrimer. They are a metalsmithing workshop specialising in handcrafted small batch edition objects that capture the hand of the maker and the heritage of our craft.

Alison Jackson is a designer, maker and contemporary Silversmith based in Braidwood, Australia. Completing a Gold and Silversmithing degree at the Australian National University, Alison holds over two decades of artistic and technical metal forming expertise.

With an aesthetic best described as elegant, timeless, and minimal, Alison showcases her work through her fine jewellery, tableware, large scale installation, limited editions and exhibition work.

Alison’s work is held in both public and private collections, including a large acquisition by the Canberra Museum and Gallery. A recipient of numerous notable awards and grants,  Alison’s work has been exhibited widely within Australia and also internationally, including at Inhorgenta (Germany) and Milan Design Week (Italy). 

Dan Lorrimer is a contemporary sculptor, machinist, fabricator and toolmaker. With a degree in Sculpture from the Australian National University, Dan has since diversified his work, significantly developing his skills across a wide range of technical areas, specialising in metal forming.

Dan’s sculpture practice explores notions of movement, energy, solidity and illusion through minimalist sculptural forms, often located between the artificial and natural world. He has exhibited widely across Australia and has work held in private collections across the country. 

Photos: Ferro Forma

Studio Hacienda (2005–2008) was established in a factory space in Abbotsford by Blanche Tilden and Phoebe Porter following an Australia Council funded mentorship of Phoebe by Blanche in 2005.

The General Assembly brooches were developed as a series of designed and engineered component parts that, when assembled, are redolent of the built structures of Melbourne and Canberra.

Drawing inspiration from the philosophy of serial production demonstrated in the work of craftspeople such as Melbourne contemporary jeweller, Susan Cohn, and German master goldsmith, Friedrich Dau, Studio Hacienda have produced interchangeable components of varying colour, texture, form and material that are laid out in a "production line" ready pick'n'mix. Architectural details and signage found around Melbourne's CBD were starting points from which each design evolved. 

"General Assembly exemplifies Porter and Tilden's common ground: working in multiples, exploring the individual impulse to select, combine and adorn, alertness to the ubiquitous street styles that pulse through a city. It is a project that involves people in a lively, intelligent conversation through the object. That's Studio Hacienda." - Merryn Gates

General Assembly—Canberra brooch series 2007–2008, remade 2021
Edition number RE05.

Materials: flameworked borosilicate glass, anodised aluminium, titanium, stainless steel

Dimensions: 8 cm (h) x 2 cm (w) x 0.5 cm (d)

Fink's range of earrings is a collaborative project between Bronwen Riddiford and Robert Foster. Together they have created new designs. The ‘Flip’ design is based on the symmetry of three equal points but the design has been ‘folded’ to resemble petals or a fan. 

Variations in the shapes for both concepts mean the entire range consists of six individual styles (flat, pointed and curved in both Propeller and Flip) to suit every taste and age.

Material: Pressed, anodized aluminium and stainless steel

Dimensions: Length approx 5 cm (including hook)

Meet the Maker: F!nk + Co. is a much loved and respected Australian design company with an international reputation for producing world-class tableware, hollowware, jewellery and lighting. It was established by Robert Foster in 1993 with the aim of creating a design and manufacturing business to support and generate opportunities for Australian designer-makers.  

Materials: Reclaimed Timber Handle

Measurements: Blade Length - 150mm | height from spine to heel - 25mm

About: Dan makes knives for culinary purposes as well as for other crafts. His focus is on making high quality goods that will last a lifetime.

Care Instructions: After use, wash the blade with warm soapy water and dry it with a clean cloth. Do not put the knife in the dishwasher.

The knife will need to be periodically sharpened, if you do not feel comfortable doing this yourself, Daniel offers sharpening services through his website www.dvenables.com. 

Images: Craft + Design Canberra

Materials: Reclaimed Timber Handle

Measurements: Blade Length - 100mm | height from spine to heel - 28mm

About: Dan makes knives for culinary purposes as well as for other crafts. His focus is on making high quality goods that will last a lifetime. His focus is on making high quality goods that will last a lifetime.

Care Instructions: After use, wash the blade with warm soapy water and dry it with a clean cloth. Do not put the knife in the dishwasher.

The knife will need to be periodically sharpened, if you do not feel comfortable doing this yourself, Daniel offers sharpening services through his website www.dvenables.com. 

Images: Craft + Design Canberra

Dimensions: H 6 cm x W 19 cm x L 22 cm

Meet the Maker: Jenni Kemarre Martiniello in an Award winning visual artist, poet, writer, and photographer of Arrernte, Chinese and Anglo-Celtic descent. She is a highly respected Arrernte glass artist from Central Australia who combines the traditional Aboriginal practice of weaving with the European practice of glass making. 

Jenni’s glass works have been exhibited in numerous exhibitions, including solo exhibitions at Canberra Contemporary Art Space, Belconnen Arts Centre, Canberra Glassworks and Sabbia Gallery in Sydney.

Photos by Tim Bean Photography

Hand polished to a crisscross finish, the Trondheim Brooch set, is a straight pin lapel style pin and clutch made with hypoallergenic, light, non-tarnish stainless steel.

Materials: Welded stainless steel

Dimensions: Large part: 50 mm x 20 mm | Medium part: 50 mm x 7mm | Small part: 20 mm x 10 mm

About the Makers: Founded in 2011, Days of August's signature look comes from it's unconventional use of industrial grade stainless steel - a metal not typically used to make jewellery - which meant reinventing and adapting traditional fabrication techniques to accommodate its solidity and strength.

Stainless steel perfectly complements the maker, Marie-Pier, design style - minimal and intentionally simple - and with it she creates architectural and contemporary statement pieces. Believing in timelessness over trends, he combines clean lines and considered composition to create wearable jewellery essentials that transcend the seasons.

With a focus on sustainability, Marie-Pier put in place eco-friendly practices from the start, and is now partnering with Ecologi to offset her environmental footprint, making Days of August a 100% carbon neutral business.

Photos: Courtesy of the Artist

Powder coated with a textured matte black finish, the Madrid pendant is made with locally sourced and reclaimed stainless steel.

Materials: Reclaimed stainless steel (hypoallergenic, light, and non-tarnish)

Dimensions: 17 mm x 22 mm | 45 cm chain

About the Makers: Founded in 2011, Days of August's signature look comes from it's unconventional use of industrial grade stainless steel - a metal not typically used to make jewellery - which meant reinventing and adapting traditional fabrication techniques to accommodate its solidity and strength.

Stainless steel perfectly complements the maker, Marie-Pier, design style - minimal and intentionally simple - and with it she creates architectural and contemporary statement pieces. Believing in timelessness over trends, he combines clean lines and considered composition to create wearable jewellery essentials that transcend the seasons.

With a focus on sustainability, Marie-Pier put in place eco-friendly practices from the start, and is now partnering with Ecologi to offset her environmental footprint, making Days of August a 100% carbon neutral business.

Photos: Courtesy of the Artist. 

Studio Hacienda (2005–2008) was established in a factory space in Abbotsford by Blanche Tilden and Phoebe Porter following an Australia Council funded mentorship of Phoebe by Blanche in 2005.

The General Assembly brooches were developed as a series of designed and engineered component parts that, when assembled, are redolent of the built structures of Melbourne and Canberra.

Drawing inspiration from the philosophy of serial production demonstrated in the work of craftspeople such as Melbourne contemporary jeweller, Susan Cohn, and German master goldsmith, Friedrich Dau, Studio Hacienda have produced interchangeable components of varying colour, texture, form and material that are laid out in a "production line" ready pick'n'mix. Architectural details and signage found around Melbourne's CBD were starting points from which each design evolved. 

"General Assembly exemplifies Porter and Tilden's common ground: working in multiples, exploring the individual impulse to select, combine and adorn, alertness to the ubiquitous street styles that pulse through a city. It is a project that involves people in a lively, intelligent conversation through the object. That's Studio Hacienda." - Merryn Gates

General Assembly—Canberra brooch series 2007–2008, remade 2021
Edition number RE06

Materials: flameworked borosilicate glass, anodised aluminium, titanium, stainless steel

Dimensions: 8 cm (h) x 2.8 cm (w) x 0.5 (d)

Studio Hacienda (2005–2008) was established in a factory space in Abbotsford by Blanche Tilden and Phoebe Porter following an Australia Council funded mentorship of Phoebe by Blanche in 2005.

The General Assembly brooches were developed as a series of designed and engineered component parts that, when assembled, are redolent of the built structures of Melbourne and Canberra.

Drawing inspiration from the philosophy of serial production demonstrated in the work of craftspeople such as Melbourne contemporary jeweller, Susan Cohn, and German master goldsmith, Friedrich Dau, Studio Hacienda have produced interchangeable components of varying colour, texture, form and material that are laid out in a "production line" ready pick'n'mix. Architectural details and signage found around Melbourne's CBD were starting points from which each design evolved. 

"General Assembly exemplifies Porter and Tilden's common ground: working in multiples, exploring the individual impulse to select, combine and adorn, alertness to the ubiquitous street styles that pulse through a city. It is a project that involves people in a lively, intelligent conversation through the object. That's Studio Hacienda." - Merryn Gates

General Assembly—Canberra brooch series 2007–2008, remade 2021
Edition number RE12.

Materials: flameworked borosilicate glass, anodised aluminium, titanium, stainless steel

Dimensions: 8 cm (h) x 2.8 cm (w) x 0.5 (d)

Studio Hacienda (2005–2008) was established in a factory space in Abbotsford by Blanche Tilden and Phoebe Porter following an Australia Council funded mentorship of Phoebe by Blanche in 2005.

The General Assembly brooches were developed as a series of designed and engineered component parts that, when assembled, are redolent of the built structures of Melbourne and Canberra.

Drawing inspiration from the philosophy of serial production demonstrated in the work of craftspeople such as Melbourne contemporary jeweller, Susan Cohn, and German master goldsmith, Friedrich Dau, Studio Hacienda have produced interchangeable components of varying colour, texture, form and material that are laid out in a "production line" ready pick'n'mix. Architectural details and signage found around Melbourne's CBD were starting points from which each design evolved. 

"General Assembly exemplifies Porter and Tilden's common ground: working in multiples, exploring the individual impulse to select, combine and adorn, alertness to the ubiquitous street styles that pulse through a city. It is a project that involves people in a lively, intelligent conversation through the object. That's Studio Hacienda." - Merryn Gates

General Assembly—Canberra brooch series 2007–2008, remade 2021
Edition number RE10.

Materials: flameworked borosilicate glass, anodised aluminium, titanium, stainless steel

Dimensions: 8 cm (h) x 2.8 cm (w) x 0.5 (d)

Studio Hacienda (2005–2008) was established in a factory space in Abbotsford by Blanche Tilden and Phoebe Porter following an Australia Council funded mentorship of Phoebe by Blanche in 2005.

The General Assembly brooches were developed as a series of designed and engineered component parts that, when assembled, are redolent of the built structures of Melbourne and Canberra.

Drawing inspiration from the philosophy of serial production demonstrated in the work of craftspeople such as Melbourne contemporary jeweller, Susan Cohn, and German master goldsmith, Friedrich Dau, Studio Hacienda have produced interchangeable components of varying colour, texture, form and material that are laid out in a "production line" ready pick'n'mix. Architectural details and signage found around Melbourne's CBD were starting points from which each design evolved. 

"General Assembly exemplifies Porter and Tilden's common ground: working in multiples, exploring the individual impulse to select, combine and adorn, alertness to the ubiquitous street styles that pulse through a city. It is a project that involves people in a lively, intelligent conversation through the object. That's Studio Hacienda." - Merryn Gates

General Assembly—Canberra brooch series 2007–2008, remade 2021
Edition number RE07.

Materials: flameworked borosilicate glass, anodised aluminium, titanium, stainless steel

Dimensions: 8 cm (h) x 2.8 cm (w) x 0.5 (d)

Studio Hacienda (2005–2008) was established in a factory space in Abbotsford by Blanche Tilden and Phoebe Porter following an Australia Council funded mentorship of Phoebe by Blanche in 2005.

The General Assembly brooches were developed as a series of designed and engineered component parts that, when assembled, are redolent of the built structures of Melbourne and Canberra.

Drawing inspiration from the philosophy of serial production demonstrated in the work of craftspeople such as Melbourne contemporary jeweller, Susan Cohn, and German master goldsmith, Friedrich Dau, Studio Hacienda have produced interchangeable components of varying colour, texture, form and material that are laid out in a "production line" ready pick'n'mix. Architectural details and signage found around Melbourne's CBD were starting points from which each design evolved. 

"General Assembly exemplifies Porter and Tilden's common ground: working in multiples, exploring the individual impulse to select, combine and adorn, alertness to the ubiquitous street styles that pulse through a city. It is a project that involves people in a lively, intelligent conversation through the object. That's Studio Hacienda." - Merryn Gates

General Assembly—Canberra brooch series 2007–2008, remade 2021
Edition number RE04.

Materials: flameworked borosilicate glass, anodised aluminium, titanium, stainless steel

Dimensions: 8 cm (h) x 2.5 cm (w) x 0.5 cm (d)

Studio Hacienda (2005–2008) was established in a factory space in Abbotsford by Blanche Tilden and Phoebe Porter following an Australia Council funded mentorship of Phoebe by Blanche in 2005.

The General Assembly brooches were developed as a series of designed and engineered component parts that, when assembled, are redolent of the built structures of Melbourne and Canberra.

Drawing inspiration from the philosophy of serial production demonstrated in the work of craftspeople such as Melbourne contemporary jeweller, Susan Cohn, and German master goldsmith, Friedrich Dau, Studio Hacienda have produced interchangeable components of varying colour, texture, form and material that are laid out in a "production line" ready pick'n'mix. Architectural details and signage found around Melbourne's CBD were starting points from which each design evolved. 

"General Assembly exemplifies Porter and Tilden's common ground: working in multiples, exploring the individual impulse to select, combine and adorn, alertness to the ubiquitous street styles that pulse through a city. It is a project that involves people in a lively, intelligent conversation through the object. That's Studio Hacienda." - Merryn Gates

General Assembly—Canberra brooch series 2007–2008, remade 2021
Edition number RE05.

Materials: flameworked borosilicate glass, anodised aluminium, titanium, stainless steel

Dimensions: 8 cm (h) x 2 cm (w) x 0.5 cm (d)

Studio Hacienda (2005–2008) was established in a factory space in Abbotsford by Blanche Tilden and Phoebe Porter following an Australia Council funded mentorship of Phoebe by Blanche in 2005.

The General Assembly brooches were developed as a series of designed and engineered component parts that, when assembled, are redolent of the built structures of Melbourne and Canberra.

Drawing inspiration from the philosophy of serial production demonstrated in the work of craftspeople such as Melbourne contemporary jeweller, Susan Cohn, and German master goldsmith, Friedrich Dau, Studio Hacienda have produced interchangeable components of varying colour, texture, form and material that are laid out in a "production line" ready pick'n'mix. Architectural details and signage found around Melbourne's CBD were starting points from which each design evolved. 

"General Assembly exemplifies Porter and Tilden's common ground: working in multiples, exploring the individual impulse to select, combine and adorn, alertness to the ubiquitous street styles that pulse through a city. It is a project that involves people in a lively, intelligent conversation through the object. That's Studio Hacienda." - Merryn Gates

General Assembly—Canberra brooch series 2007–2008, remade 2021
Edition number RE08.

Materials: flameworked borosilicate glass, anodised aluminium, titanium, stainless steel

Dimensions: 8 cm (h) x 2 cm (w) x 0.5 cm (d)

Studio Hacienda (2005–2008) was established in a factory space in Abbotsford by Blanche Tilden and Phoebe Porter following an Australia Council funded mentorship of Phoebe by Blanche in 2005.

The General Assembly brooches were developed as a series of designed and engineered component parts that, when assembled, are redolent of the built structures of Melbourne and Canberra.

Drawing inspiration from the philosophy of serial production demonstrated in the work of craftspeople such as Melbourne contemporary jeweller, Susan Cohn, and German master goldsmith, Friedrich Dau, Studio Hacienda have produced interchangeable components of varying colour, texture, form and material that are laid out in a "production line" ready pick'n'mix. Architectural details and signage found around Melbourne's CBD were starting points from which each design evolved. 

"General Assembly exemplifies Porter and Tilden's common ground: working in multiples, exploring the individual impulse to select, combine and adorn, alertness to the ubiquitous street styles that pulse through a city. It is a project that involves people in a lively, intelligent conversation through the object. That's Studio Hacienda." - Merryn Gates

General Assembly—Canberra brooch series 2007–2008, remade 2021
Edition number RE01.

Materials: flameworked borosilicate glass, anodised aluminium, titanium, stainless steel

Dimensions: 8 cm (h) x 3 cm (w) x 0.5 cm (d) 

Studio Hacienda (2005–2008) was established in a factory space in Abbotsford by Blanche Tilden and Phoebe Porter following an Australia Council funded mentorship of Phoebe by Blanche in 2005.

The General Assembly brooches were developed as a series of designed and engineered component parts that, when assembled, are redolent of the built structures of Melbourne and Canberra.

Drawing inspiration from the philosophy of serial production demonstrated in the work of craftspeople such as Melbourne contemporary jeweller, Susan Cohn, and German master goldsmith, Friedrich Dau, Studio Hacienda have produced interchangeable components of varying colour, texture, form and material that are laid out in a "production line" ready pick'n'mix. Architectural details and signage found around Melbourne's CBD were starting points from which each design evolved. 

"General Assembly exemplifies Porter and Tilden's common ground: working in multiples, exploring the individual impulse to select, combine and adorn, alertness to the ubiquitous street styles that pulse through a city. It is a project that involves people in a lively, intelligent conversation through the object. That's Studio Hacienda." - Merryn Gates

General Assembly—Canberra brooch series 2007–2008, remade 2021
Edition number RE02.

Materials: flameworked borosilicate glass, anodised aluminium, titanium, stainless steel

Dimensions: 8 cm (h) x 2.8 cm (w) x 0.5 cm (d)

General Assembly - Canberra is inspired by the considered plan and built environment of our capital city. Developed for a special event at Workshop Bilk, the starting points for the designs are Marion Mahony Griffin's beautiful drawings of Walter Burley Griffin's vision for Canberra.

Edition number RE18.

Materials: Aluminium, titanium, glass, stainless steel

Dimensions: 8.5 cm (h) x 1.5 cm (w) x 0.5 (d)

General Assembly exemplifies Porter and Tilden's common ground: working in multiples, exploring the individual impulse to select, combine and adorn, alertness to the ubiquitous street styles that pulse through a city. It is a project that involves people in a lively, intelligent conversation through the object. That's Studio Hacienda. - Merryn Gates

General Assembly - Canberra is inspired by the considered plan and built environment of our capital city. Developed for a special event at Workshop Bilk, the starting points for the designs are Marion Mahony Griffin's beautiful drawings of Walter Burley Griffin's vision for Canberra.

Limited edition RE14.

Materials: Aluminium, titanium, glass, stainless steel

Dimensions: 4.5 cm (h) x 4.5 cm (w) 0.5 cm (d)

General Assembly exemplifies Porter and Tilden's common ground: working in multiples, exploring the individual impulse to select, combine and adorn, alertness to the ubiquitous street styles that pulse through a city. It is a project that involves people in a lively, intelligent conversation through the object. That's Studio Hacienda. - Merryn Gates

Dimensions: Small 25 mm disc diameter | Large 31mm disc diameter 

About the Makers: Ferro Forma is the culmination of a long standing partnership between Alison Jackson and Dan Lorrimer. They are a metalsmithing workshop specialising in handcrafted small batch edition objects that capture the hand of the maker and the heritage of our craft.

Alison Jackson is a designer, maker and contemporary Silversmith based in Braidwood, Australia. Completing a Gold and Silversmithing degree at the Australian National University, Alison holds over two decades of artistic and technical metal forming expertise.

With an aesthetic best described as elegant, timeless, and minimal, Alison showcases her work through her fine jewellery, tableware, large scale installation, limited editions and exhibition work.

Alison’s work is held in both public and private collections, including a large acquisition by the Canberra Museum and Gallery. A recipient of numerous notable awards and grants,  Alison’s work has been exhibited widely within Australia and also internationally, including at Inhorgenta (Germany) and Milan Design Week (Italy). 

Dan Lorrimer is a contemporary sculptor, machinist, fabricator and toolmaker. With a degree in Sculpture from the Australian National University, Dan has since diversified his work, significantly developing his skills across a wide range of technical areas, specialising in metal forming.

Dan’s sculpture practice explores notions of movement, energy, solidity and illusion through minimalist sculptural forms, often located between the artificial and natural world. He has exhibited widely across Australia and has work held in private collections across the country. 

Photos: Alison Jackson