Jewellery

This miniature kintsugi ring is gorgeously tactile as it encircles your finger. It is beautiful to look at and difficult to resist playing with.

Material: Stainless Steel machine chain and 18ct gold rivet

Dimensions: Small - ring size J  / Medium - ring size P / Large - ring size V

Meet the Maker:  Blanche Tilden has created and exhibited contemporary jewellery, glass and design since 1990. She is a celebrated master of her trade, highly recognised and respected, nationally and internationally.  

‘During 25 years of practice in the fields, I have developed a unique visual and material vocabulary through an innovative use of glass and metals, creating jewellery and objects that reference mechanical technology, industrial modernity and architecture.’

Photos: courtesy of the artist

Thank you for supporting local craft and design.

Hand polished to a brush finish, the Crete earrings, are made with locally sourced, reclaimed stainless steel.

Materials: Welded stainless steel (hypoallergenic, light, and non-tarnish)

Dimensions: H 55 mm x W 30 mm

About the Makers: Founded in 2011, Days of August's signature look comes from it's unconventional use of industrial grade stainless steel - a metal not typically used to make jewellery - which meant reinventing and adapting traditional fabrication techniques to accommodate its solidity and strength.

Stainless steel perfectly complements the maker, Marie-Pier, design style - minimal and intentionally simple - and with it she creates architectural and contemporary statement pieces. Believing in timelessness over trends, he combines clean lines and considered composition to create wearable jewellery essentials that transcend the seasons.

With a focus on sustainability, Marie-Pier put in place eco-friendly practices from the start, and is now partnering with Ecologi to offset her environmental footprint, making Days of August a 100% carbon neutral business.

Photos: Courtesy of the Artist. 

Materials: Anodised titanium

Dimensions: 32mm

Meet the Maker: Sarah Murphy maintains her practice in Canberra at M16 Artspace where she creates her work to exhibit nationally.

She says of her work ‘Rhythm, repetition and movement are the fundamentals which are often the driving forces behind my work. I use repetition as a rhythm and a play between worlds of colour, movement and shape. In life we experience repetition every day. The simple act of walking, breathing or the sound of our own heartbeat. The gesture or movement of the human body, creating its own random yet syncopated pattern. The use of repetition in my work creates structure.  The presence of structure in our lives gives us the sense that we are somehow in control of our own existence. I enjoy creating jewellery with these characteristics and exploring how this might affect the relationship between the wearer the viewer and the piece itself.’

Materials: Blue titanium

Dimensions: 16 mm - 13mm

Meet the Maker: Sarah Murphy maintains her practice in Canberra at M16 Artspace where she creates her work to exhibit nationally.

She says of her work ‘Rhythm, repetition and movement are the fundamentals which are often the driving forces behind my work. I use repetition as a rhythm and a play between worlds of colour, movement and shape. In life we experience repetition every day. The simple act of walking, breathing or the sound of our own heartbeat. The gesture or movement of the human body, creating its own random yet syncopated pattern. The use of repetition in my work creates structure.  The presence of structure in our lives gives us the sense that we are somehow in control of our own existence. I enjoy creating jewellery with these characteristics and exploring how this might affect the relationship between the wearer the viewer and the piece itself.’

These hoops are made from fine silver, with a sterling silver wire. They are thin and delicate, made to imitate fabric. As fabric is malleable, these earrings are also malleable if too much pressure is applied to them. 

Fine silver is even more precious than sterling silver with 99.9% purity. These earrings should be handled like the precious objects they are.

Materials: Fine silver, sterling silver

Dimensions: L 50 mm x W 32 mm 

Meet the Maker: Nicola Knackstredt discovered silversmithing as an adult, and stepped away from a career as a human rights lawyer to pursue her interest. She studied Gold & Silversmithing at the Australian National University in Canberra, where she was recognised for excellence in gold and silversmithing in her first year of studies. Nicola has since turned her interest into a business.

Photo: Maddie Manning Photography 

These hoops are made from fine silver, with a sterling silver wire. They are thin and delicate, made to imitate fabric. As fabric is malleable, these earrings are also malleable if too much pressure is applied to them. 

Fine silver is even more precious than sterling silver with 99.9% purity. These earrings should be handled like the precious objects they are.

Materials: Fine silver, sterling silver

Dimensions: L 50 mm x W 32 mm 

Meet the Maker: Nicola Knackstredt discovered silversmithing as an adult, and stepped away from a career as a human rights lawyer to pursue her interest. She studied Gold & Silversmithing at the Australian National University in Canberra, where she was recognised for excellence in gold and silversmithing in her first year of studies. Nicola has since turned her interest into a business.

Photo: Maddie Manning Photography 

Fink's range of earrings is a collaborative project between Bronwen Riddiford and Robert Foster. Together they have created new designs. The ‘Flip’ design is based on the symmetry of three equal points but the design has been ‘folded’ to resemble petals or a fan. 

Variations in the shapes for both concepts mean the entire range consists of six individual styles (flat, pointed and curved in both Propeller and Flip) to suit every taste and age.

Material: Pressed, anodized aluminium and stainless steel

Dimensions: Length approx 5 cm (including hook)

Meet the Maker: F!nk + Co. is a much loved and respected Australian design company with an international reputation for producing world-class tableware, hollowware, jewellery and lighting. It was established by Robert Foster in 1993 with the aim of creating a design and manufacturing business to support and generate opportunities for Australian designer-makers.  

Materials:  Sterling silver 

Dimensions: D 35 mm

About the Maker: Sarah Bourke lives just north of Tathra on the coast. Her studio is surrounded by the beautiful Australian spotted gum bush, and her work reflects a passion for nature and fluidity from the natural environment.

"The combination of silversmithing and woodworking skills creates a contemporary Jewellery style. Each piece is handmade by me in my off-grid studio using recycled sterling silver and ethically sourced hardwoods. I pride myself in quality craftsmanship expressing a passion for design that is inspired by our beautiful environment. Each piece is a wearable work of art to last a lifetime."

Images: Courtesy of the Artist

The Cambridge earrings are made locally sourced, reclaimed stainless steel available in a brush finish and matt black.

Materials: Welded stainless steel (hypoallergenic, light, and non-tarnish)

Dimensions: 22 mm (diameter)

About the Makers: Founded in 2011, Days of August's signature look comes from it's unconventional use of industrial grade stainless steel - a metal not typically used to make jewellery - which meant reinventing and adapting traditional fabrication techniques to accommodate its solidity and strength.

Stainless steel perfectly complements the maker, Marie-Pier, design style - minimal and intentionally simple - and with it she creates architectural and contemporary statement pieces. Believing in timelessness over trends, he combines clean lines and considered composition to create wearable jewellery essentials that transcend the seasons.

With a focus on sustainability, Marie-Pier put in place eco-friendly practices from the start, and is now partnering with Ecologi to offset her environmental footprint, making Days of August a 100% carbon neutral business.

Photos: Courtesy of the Artist. 

Materials: Hand etched and hand painted recycled perspex bangles. 

Dimensions: Variable | 10 cm at widest point

Meet the Maker: Grace Hummerston is the designer maker behind Hum Design Studio. She makes sustainable, ethical and unique statement jewellery from manufacturing discards.

Materials: Made from 999 silver, 925 silver

Dimensions:  L 30 mm x W 10 mm

About the Maker: Danielle Lo is an emerging contemporary jeweller who has a deep fascination with her presence and sense of place amongst nature. Her works are gentle reflections of the organic environments around us, demonstrated through botanical forms, floral motifs and other imagery borrowed from nature. From her Sydney studio, she crafts intimate pieces that explore the physical world around her.

Lo has a meditative practice which draws ideas from the Buddhist theories of Zen. Reflective of this, her works search for strength and inner peace. This is reflected through their delicate designs and the intricate details that are a product meditative handcrafting.

Lo predominately works in gold, silver and enamel using lost wax casting and traditional silversmithing techniques. Each line, shape or form that Lo makes is a physical testament to the conceptual ideas that she invests herself in. Wearers of her jewellery are to feel the peace that Lo has found through the healing process of making.

Materials: Made from 999 silver, 925 silver

Dimensions: 10 mm x 10 mm

About the Maker: Danielle Lo is an emerging contemporary jeweller who has a deep fascination with her presence and sense of place amongst nature. Her works are gentle reflections of the organic environments around us, demonstrated through botanical forms, floral motifs and other imagery borrowed from nature. From her Sydney studio, she crafts intimate pieces that explore the physical world around her.

Lo has a meditative practice which draws ideas from the Buddhist theories of Zen. Reflective of this, her works search for strength and inner peace. This is reflected through their delicate designs and the intricate details that are a product meditative handcrafting.

Lo predominately works in gold, silver and enamel using lost wax casting and traditional silversmithing techniques. Each line, shape or form that Lo makes is a physical testament to the conceptual ideas that she invests herself in. Wearers of her jewellery are to feel the peace that Lo has found through the healing process of making.

Materials: Made from 999 silver, 925 silver

Dimensions: L 140 mm x W 15 mm

About the Maker: Danielle Lo is an emerging contemporary jeweller who has a deep fascination with her presence and sense of place amongst nature. Her works are gentle reflections of the organic environments around us, demonstrated through botanical forms, floral motifs and other imagery borrowed from nature. From her Sydney studio, she crafts intimate pieces that explore the physical world around her.

Lo has a meditative practice which draws ideas from the Buddhist theories of Zen. Reflective of this, her works search for strength and inner peace. This is reflected through their delicate designs and the intricate details that are a product meditative handcrafting.

Lo predominately works in gold, silver and enamel using lost wax casting and traditional silversmithing techniques. Each line, shape or form that Lo makes is a physical testament to the conceptual ideas that she invests herself in. Wearers of her jewellery are to feel the peace that Lo has found through the healing process of making.

Photos courtesy of Craft ACT and Tim Bean Photography

The This Mess series explores our values and relationship with single-use plastic, transforming discarded waste into previous and one-off artefacts.

Each piece is individually sculpted from polystyrene, transformed into sterling silver and hand painted.

Materials: sterling silver, enamel paint,

Dimensions: 50 - 60 cm sterling silver chain.

About the maker: Polly Dymond creates contemporary jewellery objects from her studio at JamFactory Adelaide. 

Dymond's current practice is driven by a deep love of the natural and elemental combined with despair over the loss of craftsmanship and disposability of contemporary objects and materials (plastic, plastic, plastic)! The resulting jewellery and objects possess a duality of process; forging and forming exploring ancient traditional techniques alongside the manipulation and metamorphosis of discarded single use packaging and plastics, transforming them into precious and permanent artefacts. 

Materials: Resin with gold leaf 

Dimensions: Length of leather cord untied: 46cm | Approx dimensions of crystals combined W 12 cm x H 5 cm 

About the Maker: Emma Cuppleditch is an emerging contemporary jeweller and visual artist from Adelaide, Australia. Cuppleditch creates items of jewellery which range from delicate and curious to bold and other worldly. Through experimenting with natural/unnatural and lost/found, Cuppleditch creates unique pieces of wearable art which touch on themes of memory, sentiment, imagination and whimsy.

In 2012 she established her design label ELC Studio which later became a key feature of her former boutique retail and gallery space, Small World. She has since designed jewellery for the Adelaide Fashion Festival’s Emerging Designer Showcase in collaboration with local design label Willow & Grace and currently sells her jewellery at the JamFactory, The Fleurieu Arthouse, Zu Design and Urban Cow Studio.

Cuppleditch recently completed a Bachelor of Contemporary Art at the University of South Australia and is currently working as an Associate Jeweller at JamFactory Craft & Design.

Materials: Resin

Dimensions: Length including hook 70 mm x W 20 mm 

About the Maker: As a contemporary resin jewellery designer, Hannah Carlyle creates distinctive bangles and earrings by mixing and layering colour to spectacular effect.  She is an alumni of the associate program at the Jam Factory Craft and Design Centre in SA.

Photos: Kate Mathews 

Materials: Resin

Dimensions: L 75 mm x Widest point 25 mm

About the Maker: As a contemporary resin jewellery designer, Hannah Carlyle creates distinctive bangles and earrings by mixing and layering colour to spectacular effect.  She is an alumni of the associate program at the Jam Factory Craft and Design Centre in SA.

 Photos: Kate Mathews

Materials: Resin

Dimensions: L 40 mm including hook x W 22 mm 

About the Maker: As a contemporary resin jewellery designer, Hannah Carlyle creates distinctive bangles and earrings by mixing and layering colour to spectacular effect.  She is an alumni of the associate program at the Jam Factory Craft and Design Centre in SA.

 Photos: Kate Mathews

An elegant irregular metal brooch oxidised by F!NK.
Magnetic clasp.
6.5cm x 2.5cm

Materials: Hand etched and hand painted recycled perspex bangles. 

Dimensions: Variable | 10 cm at widest point

Meet the Maker: Grace Hummerston is the designer maker behind Hum Design Studio. She makes sustainable, ethical and unique statement jewellery from manufacturing discards.

Materials: Unglazed stained porcelain (Nerikomi) on (Nickel Free) Surgical Steel angular hooks.

Dimensions: 25mm x 25mm x 2 mm (Hooks)

Meet the Maker: Froni Binns creates coloured porcelain jewellery and other wares from her home studio in Kyneton, Central Victoria. Having originally studied visual arts at the ANU School of Art and Design in the 1990s in the Graphic Investigation and Glass workshops, Froni returned to making in recent years as a therapy whilst caring full-time for her elderly parents. What began as explorations in colour eventually grew to working with porcelain and production jewellery within the tradition known as 'Nerikomi'.

Nerikomi allows Froni to explore pattern in porcelain with its properties of holding colour brilliantly. Since her return to making Froni has fallen in love with ceramics as a medium. Generally working without glazes, Froni sands and polishes the porcelain to show the simple beauty of the clay body. From being a therapeutic process, making has grown into her little business of making jewellery and small objects. For Froni, taking the handmade out of the gallery space as jewellery brings the objects alive.

Images: Craft + Design Canberra

Materials: Unglazed stained porcelain (Nerikomi) on (Nickel Free) Surgical Steel angular hooks.

Dimensions: 25mm x 25mm x 2 mm (Hooks)

Meet the Maker: Froni Binns creates coloured porcelain jewellery and other wares from her home studio in Kyneton, Central Victoria. Having originally studied visual arts at the ANU School of Art and Design in the 1990s in the Graphic Investigation and Glass workshops, Froni returned to making in recent years as a therapy whilst caring full-time for her elderly parents. What began as explorations in colour eventually grew to working with porcelain and production jewellery within the tradition known as 'Nerikomi'.

Nerikomi allows Froni to explore pattern in porcelain with its properties of holding colour brilliantly. Since her return to making Froni has fallen in love with ceramics as a medium. Generally working without glazes, Froni sands and polishes the porcelain to show the simple beauty of the clay body. From being a therapeutic process, making has grown into her little business of making jewellery and small objects. For Froni, taking the handmade out of the gallery space as jewellery brings the objects alive.

Images: Craft + Design Canberra

Materials: Unglazed stained porcelain (Nerikomi) on (Nickel Free) Surgical Steel angular hooks.

Dimensions: 25mm x 25mm x 2 mm (Hooks)

Meet the Maker: Froni Binns creates coloured porcelain jewellery and other wares from her home studio in Kyneton, Central Victoria. Having originally studied visual arts at the ANU School of Art and Design in the 1990s in the Graphic Investigation and Glass workshops, Froni returned to making in recent years as a therapy whilst caring full-time for her elderly parents. What began as explorations in colour eventually grew to working with porcelain and production jewellery within the tradition known as 'Nerikomi'.

Nerikomi allows Froni to explore pattern in porcelain with its properties of holding colour brilliantly. Since her return to making Froni has fallen in love with ceramics as a medium. Generally working without glazes, Froni sands and polishes the porcelain to show the simple beauty of the clay body. From being a therapeutic process, making has grown into her little business of making jewellery and small objects. For Froni, taking the handmade out of the gallery space as jewellery brings the objects alive.

Images: Craft + Design Canberra

Materials: Unglazed stained porcelain (Nerikomi) on (Nickel Free) Surgical Steel angular hooks.

Dimensions: 25mm x 25mm x 2 mm (Hooks)

Meet the Maker: Froni Binns creates coloured porcelain jewellery and other wares from her home studio in Kyneton, Central Victoria. Having originally studied visual arts at the ANU School of Art and Design in the 1990s in the Graphic Investigation and Glass workshops, Froni returned to making in recent years as a therapy whilst caring full-time for her elderly parents. What began as explorations in colour eventually grew to working with porcelain and production jewellery within the tradition known as 'Nerikomi'.

Nerikomi allows Froni to explore pattern in porcelain with its properties of holding colour brilliantly. Since her return to making Froni has fallen in love with ceramics as a medium. Generally working without glazes, Froni sands and polishes the porcelain to show the simple beauty of the clay body. From being a therapeutic process, making has grown into her little business of making jewellery and small objects. For Froni, taking the handmade out of the gallery space as jewellery brings the objects alive.

Images: Craft + Design Canberra

Materials: Unglazed stained porcelain (Nerikomi) on (Nickel Free) Surgical Steel angular hooks.

Dimensions: 25mm x 25mm x 2 mm (Hooks)

Meet the Maker: Froni Binns creates coloured porcelain jewellery and other wares from her home studio in Kyneton, Central Victoria. Having originally studied visual arts at the ANU School of Art and Design in the 1990s in the Graphic Investigation and Glass workshops, Froni returned to making in recent years as a therapy whilst caring full-time for her elderly parents. What began as explorations in colour eventually grew to working with porcelain and production jewellery within the tradition known as 'Nerikomi'.

Nerikomi allows Froni to explore pattern in porcelain with its properties of holding colour brilliantly. Since her return to making Froni has fallen in love with ceramics as a medium. Generally working without glazes, Froni sands and polishes the porcelain to show the simple beauty of the clay body. From being a therapeutic process, making has grown into her little business of making jewellery and small objects. For Froni, taking the handmade out of the gallery space as jewellery brings the objects alive.

Images: Craft + Design Canberra

Materials: Unglazed stained porcelain (Nerikomi) on (Nickel Free) Surgical Steel angular hooks.

Dimensions: 25mm x 25mm x 2 mm (Hooks)

Meet the Maker: Froni Binns creates coloured porcelain jewellery and other wares from her home studio in Kyneton, Central Victoria. Having originally studied visual arts at the ANU School of Art and Design in the 1990s in the Graphic Investigation and Glass workshops, Froni returned to making in recent years as a therapy whilst caring full-time for her elderly parents. What began as explorations in colour eventually grew to working with porcelain and production jewellery within the tradition known as 'Nerikomi'.

Nerikomi allows Froni to explore pattern in porcelain with its properties of holding colour brilliantly. Since her return to making Froni has fallen in love with ceramics as a medium. Generally working without glazes, Froni sands and polishes the porcelain to show the simple beauty of the clay body. From being a therapeutic process, making has grown into her little business of making jewellery and small objects. For Froni, taking the handmade out of the gallery space as jewellery brings the objects alive.

Images: Craft + Design Canberra

Materials: Unglazed stained porcelain (Nerikomi) on (Nickel Free) Surgical Steel angular hooks.

Dimensions: 25mm x 25mm x 2 mm (Hooks)

Meet the Maker: Froni Binns creates coloured porcelain jewellery and other wares from her home studio in Kyneton, Central Victoria. Having originally studied visual arts at the ANU School of Art and Design in the 1990s in the Graphic Investigation and Glass workshops, Froni returned to making in recent years as a therapy whilst caring full-time for her elderly parents. What began as explorations in colour eventually grew to working with porcelain and production jewellery within the tradition known as 'Nerikomi'.

Nerikomi allows Froni to explore pattern in porcelain with its properties of holding colour brilliantly. Since her return to making Froni has fallen in love with ceramics as a medium. Generally working without glazes, Froni sands and polishes the porcelain to show the simple beauty of the clay body. From being a therapeutic process, making has grown into her little business of making jewellery and small objects. For Froni, taking the handmade out of the gallery space as jewellery brings the objects alive.

Images: Craft + Design Canberra

Materials: Unglazed stained porcelain (Nerikomi) on (Nickel Free) Surgical Steel angular hooks.

Dimensions: 25mm x 25mm x 2 mm (Hooks)

Meet the Maker: Froni Binns creates coloured porcelain jewellery and other wares from her home studio in Kyneton, Central Victoria. Having originally studied visual arts at the ANU School of Art and Design in the 1990s in the Graphic Investigation and Glass workshops, Froni returned to making in recent years as a therapy whilst caring full-time for her elderly parents. What began as explorations in colour eventually grew to working with porcelain and production jewellery within the tradition known as 'Nerikomi'.

Nerikomi allows Froni to explore pattern in porcelain with its properties of holding colour brilliantly. Since her return to making Froni has fallen in love with ceramics as a medium. Generally working without glazes, Froni sands and polishes the porcelain to show the simple beauty of the clay body. From being a therapeutic process, making has grown into her little business of making jewellery and small objects. For Froni, taking the handmade out of the gallery space as jewellery brings the objects alive.

Images: Craft + Design Canberra

Materials: Unglazed stained porcelain (Nerikomi) on (Nickel Free) Surgical Steel angular hooks.

Dimensions: 25mm x 25mm x 2 mm (Hooks)

Meet the Maker: Froni Binns creates coloured porcelain jewellery and other wares from her home studio in Kyneton, Central Victoria. Having originally studied visual arts at the ANU School of Art and Design in the 1990s in the Graphic Investigation and Glass workshops, Froni returned to making in recent years as a therapy whilst caring full-time for her elderly parents. What began as explorations in colour eventually grew to working with porcelain and production jewellery within the tradition known as 'Nerikomi'.

Nerikomi allows Froni to explore pattern in porcelain with its properties of holding colour brilliantly. Since her return to making Froni has fallen in love with ceramics as a medium. Generally working without glazes, Froni sands and polishes the porcelain to show the simple beauty of the clay body. From being a therapeutic process, making has grown into her little business of making jewellery and small objects. For Froni, taking the handmade out of the gallery space as jewellery brings the objects alive.

Images: Craft + Design Canberra

Materials: Unglazed stained porcelain (Nerikomi) on (Nickel Free) Surgical Steel angular hooks.

Dimensions: 25mm x 25mm x 2 mm (Hooks)

Meet the Maker: Froni Binns creates coloured porcelain jewellery and other wares from her home studio in Kyneton, Central Victoria. Having originally studied visual arts at the ANU School of Art and Design in the 1990s in the Graphic Investigation and Glass workshops, Froni returned to making in recent years as a therapy whilst caring full-time for her elderly parents. What began as explorations in colour eventually grew to working with porcelain and production jewellery within the tradition known as 'Nerikomi'.

Nerikomi allows Froni to explore pattern in porcelain with its properties of holding colour brilliantly. Since her return to making Froni has fallen in love with ceramics as a medium. Generally working without glazes, Froni sands and polishes the porcelain to show the simple beauty of the clay body. From being a therapeutic process, making has grown into her little business of making jewellery and small objects. For Froni, taking the handmade out of the gallery space as jewellery brings the objects alive.

Images: Craft + Design Canberra

Materials: Unglazed stained porcelain (Nerikomi) on (Nickel Free) Surgical Steel angular hooks.

Dimensions: 25mm x 25mm x 2 mm (Hooks)

Meet the Maker: Froni Binns creates coloured porcelain jewellery and other wares from her home studio in Kyneton, Central Victoria. Having originally studied visual arts at the ANU School of Art and Design in the 1990s in the Graphic Investigation and Glass workshops, Froni returned to making in recent years as a therapy whilst caring full-time for her elderly parents. What began as explorations in colour eventually grew to working with porcelain and production jewellery within the tradition known as 'Nerikomi'.

Nerikomi allows Froni to explore pattern in porcelain with its properties of holding colour brilliantly. Since her return to making Froni has fallen in love with ceramics as a medium. Generally working without glazes, Froni sands and polishes the porcelain to show the simple beauty of the clay body. From being a therapeutic process, making has grown into her little business of making jewellery and small objects. For Froni, taking the handmade out of the gallery space as jewellery brings the objects alive.

Images: Craft + Design Canberra

Materials: Unglazed stained porcelain (Nerikomi) on (Nickel Free) Surgical Steel angular hooks.

Dimensions: 25mm x 25mm x 2 mm (Hooks)

Meet the Maker: Froni Binns creates coloured porcelain jewellery and other wares from her home studio in Kyneton, Central Victoria. Having originally studied visual arts at the ANU School of Art and Design in the 1990s in the Graphic Investigation and Glass workshops, Froni returned to making in recent years as a therapy whilst caring full-time for her elderly parents. What began as explorations in colour eventually grew to working with porcelain and production jewellery within the tradition known as 'Nerikomi'.

Nerikomi allows Froni to explore pattern in porcelain with its properties of holding colour brilliantly. Since her return to making Froni has fallen in love with ceramics as a medium. Generally working without glazes, Froni sands and polishes the porcelain to show the simple beauty of the clay body. From being a therapeutic process, making has grown into her little business of making jewellery and small objects. For Froni, taking the handmade out of the gallery space as jewellery brings the objects alive.

Images: Craft + Design Canberra

Materials: Unglazed stained porcelain (Nerikomi) on (Nickel Free) Surgical Steel angular hooks.

Dimensions: 25mm x 25mm x 2 mm (Hooks)

Meet the Maker: Froni Binns creates coloured porcelain jewellery and other wares from her home studio in Kyneton, Central Victoria. Having originally studied visual arts at the ANU School of Art and Design in the 1990s in the Graphic Investigation and Glass workshops, Froni returned to making in recent years as a therapy whilst caring full-time for her elderly parents. What began as explorations in colour eventually grew to working with porcelain and production jewellery within the tradition known as 'Nerikomi'.

Nerikomi allows Froni to explore pattern in porcelain with its properties of holding colour brilliantly. Since her return to making Froni has fallen in love with ceramics as a medium. Generally working without glazes, Froni sands and polishes the porcelain to show the simple beauty of the clay body. From being a therapeutic process, making has grown into her little business of making jewellery and small objects. For Froni, taking the handmade out of the gallery space as jewellery brings the objects alive.

Images: Craft + Design Canberra

Materials: Unglazed stained porcelain (Nerikomi) on (Nickel Free) Surgical Steel angular hooks.

Dimensions: 25mm x 25mm x 2 mm (Hooks)

Meet the Maker: Froni Binns creates coloured porcelain jewellery and other wares from her home studio in Kyneton, Central Victoria. Having originally studied visual arts at the ANU School of Art and Design in the 1990s in the Graphic Investigation and Glass workshops, Froni returned to making in recent years as a therapy whilst caring full-time for her elderly parents. What began as explorations in colour eventually grew to working with porcelain and production jewellery within the tradition known as 'Nerikomi'.

Nerikomi allows Froni to explore pattern in porcelain with its properties of holding colour brilliantly. Since her return to making Froni has fallen in love with ceramics as a medium. Generally working without glazes, Froni sands and polishes the porcelain to show the simple beauty of the clay body. From being a therapeutic process, making has grown into her little business of making jewellery and small objects. For Froni, taking the handmade out of the gallery space as jewellery brings the objects alive.

Images: Craft + Design Canberra

Materials: Unglazed stained porcelain (Nerikomi) on (Nickel Free) Surgical Steel angular hooks.

Dimensions: 25mm x 25mm x 2 mm (Hooks)

Meet the Maker: Froni Binns creates coloured porcelain jewellery and other wares from her home studio in Kyneton, Central Victoria. Having originally studied visual arts at the ANU School of Art and Design in the 1990s in the Graphic Investigation and Glass workshops, Froni returned to making in recent years as a therapy whilst caring full-time for her elderly parents. What began as explorations in colour eventually grew to working with porcelain and production jewellery within the tradition known as 'Nerikomi'.

Nerikomi allows Froni to explore pattern in porcelain with its properties of holding colour brilliantly. Since her return to making Froni has fallen in love with ceramics as a medium. Generally working without glazes, Froni sands and polishes the porcelain to show the simple beauty of the clay body. From being a therapeutic process, making has grown into her little business of making jewellery and small objects. For Froni, taking the handmade out of the gallery space as jewellery brings the objects alive.

Images: Craft + Design Canberra

Materials: Unglazed stained porcelain (Nerikomi) on (Nickel Free) Surgical Steel angular hooks.

Dimensions: 25mm x 25mm x 2 mm (Hooks)

Meet the Maker: Froni Binns creates coloured porcelain jewellery and other wares from her home studio in Kyneton, Central Victoria. Having originally studied visual arts at the ANU School of Art and Design in the 1990s in the Graphic Investigation and Glass workshops, Froni returned to making in recent years as a therapy whilst caring full-time for her elderly parents. What began as explorations in colour eventually grew to working with porcelain and production jewellery within the tradition known as 'Nerikomi'.

Nerikomi allows Froni to explore pattern in porcelain with its properties of holding colour brilliantly. Since her return to making Froni has fallen in love with ceramics as a medium. Generally working without glazes, Froni sands and polishes the porcelain to show the simple beauty of the clay body. From being a therapeutic process, making has grown into her little business of making jewellery and small objects. For Froni, taking the handmade out of the gallery space as jewellery brings the objects alive.

Images: Craft + Design Canberra

Materials: Unglazed stained porcelain (Nerikomi) on (Nickel Free) Surgical Steel angular hooks.

Dimensions: 25mm x 25mm x 2 mm (Hooks)

Meet the Maker: Froni Binns creates coloured porcelain jewellery and other wares from her home studio in Kyneton, Central Victoria. Having originally studied visual arts at the ANU School of Art and Design in the 1990s in the Graphic Investigation and Glass workshops, Froni returned to making in recent years as a therapy whilst caring full-time for her elderly parents. What began as explorations in colour eventually grew to working with porcelain and production jewellery within the tradition known as 'Nerikomi'.

Nerikomi allows Froni to explore pattern in porcelain with its properties of holding colour brilliantly. Since her return to making Froni has fallen in love with ceramics as a medium. Generally working without glazes, Froni sands and polishes the porcelain to show the simple beauty of the clay body. From being a therapeutic process, making has grown into her little business of making jewellery and small objects. For Froni, taking the handmade out of the gallery space as jewellery brings the objects alive.

Images: Craft + Design Canberra

Materials: Unglazed stained porcelain (Nerikomi) on (Nickel Free) Surgical Steel angular hooks.

Dimensions: 25mm x 25mm x 2 mm (Hooks)

Meet the Maker: Froni Binns creates coloured porcelain jewellery and other wares from her home studio in Kyneton, Central Victoria. Having originally studied visual arts at the ANU School of Art and Design in the 1990s in the Graphic Investigation and Glass workshops, Froni returned to making in recent years as a therapy whilst caring full-time for her elderly parents. What began as explorations in colour eventually grew to working with porcelain and production jewellery within the tradition known as 'Nerikomi'.

Nerikomi allows Froni to explore pattern in porcelain with its properties of holding colour brilliantly. Since her return to making Froni has fallen in love with ceramics as a medium. Generally working without glazes, Froni sands and polishes the porcelain to show the simple beauty of the clay body. From being a therapeutic process, making has grown into her little business of making jewellery and small objects. For Froni, taking the handmade out of the gallery space as jewellery brings the objects alive.

Images: Craft + Design Canberra

Materials: Unglazed stained porcelain (Nerikomi) on (Nickel Free) Surgical Steel angular hooks.

Dimensions: 25mm x 25mm x 2 mm (Hooks)

Meet the Maker: Froni Binns creates coloured porcelain jewellery and other wares from her home studio in Kyneton, Central Victoria. Having originally studied visual arts at the ANU School of Art and Design in the 1990s in the Graphic Investigation and Glass workshops, Froni returned to making in recent years as a therapy whilst caring full-time for her elderly parents. What began as explorations in colour eventually grew to working with porcelain and production jewellery within the tradition known as 'Nerikomi'.

Nerikomi allows Froni to explore pattern in porcelain with its properties of holding colour brilliantly. Since her return to making Froni has fallen in love with ceramics as a medium. Generally working without glazes, Froni sands and polishes the porcelain to show the simple beauty of the clay body. From being a therapeutic process, making has grown into her little business of making jewellery and small objects. For Froni, taking the handmade out of the gallery space as jewellery brings the objects alive.

Images: Craft + Design Canberra

Materials: Unglazed stained porcelain (Nerikomi) on (Nickel Free) Surgical Steel angular hooks.

Dimensions: 25mm x 25mm x 2 mm (Hooks)

Meet the Maker: Froni Binns creates coloured porcelain jewellery and other wares from her home studio in Kyneton, Central Victoria. Having originally studied visual arts at the ANU School of Art and Design in the 1990s in the Graphic Investigation and Glass workshops, Froni returned to making in recent years as a therapy whilst caring full-time for her elderly parents. What began as explorations in colour eventually grew to working with porcelain and production jewellery within the tradition known as 'Nerikomi'.

Nerikomi allows Froni to explore pattern in porcelain with its properties of holding colour brilliantly. Since her return to making Froni has fallen in love with ceramics as a medium. Generally working without glazes, Froni sands and polishes the porcelain to show the simple beauty of the clay body. From being a therapeutic process, making has grown into her little business of making jewellery and small objects. For Froni, taking the handmade out of the gallery space as jewellery brings the objects alive.

Images: Craft + Design Canberra

Artist: Blackburn Studios

Materials: Ceramic

Dimensions: L 50 mm

About the Maker: Working from her home studio in Canberra, Lucy produces small batch ceramics. These include functional pieces such as vases, planters, plates and bowls, we well as decorative items and jewellery. 

Lucy Enjoys working with a range of clays, producing both hand built and wheel thrown pieces. Her aesthetic is simple with a focus on texture and simple mark making, using neutral colour palettes. Lucy has a background in photography and printmaking, and also makes small prints, gift cards and collages.

Images: Craft + Design Canberra

Artist: Blackburn Studios

Materials: Ceramic

Dimensions: L 50 mm

About the Maker: Working from her home studio in Canberra, Lucy produces small batch ceramics. These include functional pieces such as vases, planters, plates and bowls, we well as decorative items and jewellery. 

Lucy Enjoys working with a range of clays, producing both hand built and wheel thrown pieces. Her aesthetic is simple with a focus on texture and simple mark making, using neutral colour palettes. Lucy has a background in photography and printmaking, and also makes small prints, gift cards and collages.

Images: Craft + Design Canberra

Artist: Blackburn Studios

Materials: Ceramic

Dimensions: L 50 mm

About the Maker: Working from her home studio in Canberra, Lucy produces small batch ceramics. These include functional pieces such as vases, planters, plates and bowls, we well as decorative items and jewellery. 

Lucy Enjoys working with a range of clays, producing both hand built and wheel thrown pieces. Her aesthetic is simple with a focus on texture and simple mark making, using neutral colour palettes. Lucy has a background in photography and printmaking, and also makes small prints, gift cards and collages.

Images: Craft + Design Canberra

Artist: Blackburn Studios

Materials: Ceramic

Dimensions: L 50 mm

About the Maker: Working from her home studio in Canberra, Lucy produces small batch ceramics. These include functional pieces such as vases, planters, plates and bowls, we well as decorative items and jewellery. 

Lucy Enjoys working with a range of clays, producing both hand built and wheel thrown pieces. Her aesthetic is simple with a focus on texture and simple mark making, using neutral colour palettes. Lucy has a background in photography and printmaking, and also makes small prints, gift cards and collages.

Images: Craft + Design Canberra

Artist: Blackburn Studios

Materials: Ceramic

Dimensions: L 50 mm

About the Maker: Working from her home studio in Canberra, Lucy produces small batch ceramics. These include functional pieces such as vases, planters, plates and bowls, we well as decorative items and jewellery. 

Lucy Enjoys working with a range of clays, producing both hand built and wheel thrown pieces. Her aesthetic is simple with a focus on texture and simple mark making, using neutral colour palettes. Lucy has a background in photography and printmaking, and also makes small prints, gift cards and collages.

Images: Craft + Design Canberra

Artist: Blackburn Studios

Materials: Ceramic

Dimensions: L 50 mm

About the Maker: Working from her home studio in Canberra, Lucy produces small batch ceramics. These include functional pieces such as vases, planters, plates and bowls, we well as decorative items and jewellery. 

Lucy Enjoys working with a range of clays, producing both hand built and wheel thrown pieces. Her aesthetic is simple with a focus on texture and simple mark making, using neutral colour palettes. Lucy has a background in photography and printmaking, and also makes small prints, gift cards and collages.

Images: Craft + Design Canberra

Studio Hacienda (2005–2008) was established in a factory space in Abbotsford by Blanche Tilden and Phoebe Porter following an Australia Council funded mentorship of Phoebe by Blanche in 2005.

The General Assembly brooches were developed as a series of designed and engineered component parts that, when assembled, are redolent of the built structures of Melbourne and Canberra.

Drawing inspiration from the philosophy of serial production demonstrated in the work of craftspeople such as Melbourne contemporary jeweller, Susan Cohn, and German master goldsmith, Friedrich Dau, Studio Hacienda have produced interchangeable components of varying colour, texture, form and material that are laid out in a "production line" ready pick'n'mix. Architectural details and signage found around Melbourne's CBD were starting points from which each design evolved. 

"General Assembly exemplifies Porter and Tilden's common ground: working in multiples, exploring the individual impulse to select, combine and adorn, alertness to the ubiquitous street styles that pulse through a city. It is a project that involves people in a lively, intelligent conversation through the object. That's Studio Hacienda." - Merryn Gates

General Assembly—Canberra brooch series 2007–2008, remade 2021
Edition number RE05.

Materials: flameworked borosilicate glass, anodised aluminium, titanium, stainless steel

Dimensions: 8 cm (h) x 2 cm (w) x 0.5 cm (d)

Artist: Blackburn Studios

Materials: Ceramic

Dimensions: Variable, approx 50 mm drop

About the Maker: Lucy is a ceramicist who works from her home studio in Canberra. Her practice focuses on ceramic jewellery and homewares.

These kiln-formed and polished glass earrings are made in the artist's country studio on the outskirts of Canberra. The stainless-steel hanging wires fit neatly and clasp at the back. 

They are a lovely and light and you hardly feel like you are wearing them but the shiny side of the glass catches the light very nicely. 

Materials: Glass, Stainless Steel. Various colours to choose from.

Dimensions: L 10 cm W 6.5 cm

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation

These kiln-formed and polished glass earrings are made in the artist's country studio on the outskirts of Canberra. The stainless-steel hanging wires fit neatly and clasp at the back. 

They are a lovely and light and you hardly feel like you are wearing them but the shiny side of the glass catches the light very nicely. 

Materials: Glass, Stainless Steel. Various colours to choose from.

Dimensions: L 11.5 cm W 6.5 cm

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation

These kiln-formed and polished glass earrings are made in the artist's country studio on the outskirts of Canberra. The stainless-steel hanging wires fit neatly and clasp at the back. 

They are a lovely and light and you hardly feel like you are wearing them but the shiny side of the glass catches the light very nicely. 

Materials: Glass, Stainless Steel. Various colours to choose from.

Dimensions: L 13 cm W 7 cm

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation

These kiln-formed and polished glass earrings are made in the artist's country studio on the outskirts of Canberra. The stainless-steel hanging wires fit neatly and clasp at the back. 

They are a lovely and light and you hardly feel like you are wearing them but the shiny side of the glass catches the light very nicely. 

Materials: Glass, Stainless Steel. Various colours to choose from.

Dimensions: L 10 cm W 6 cm

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation

These kiln-formed and polished glass earrings are made in the artist's country studio on the outskirts of Canberra. The stainless-steel hanging wires fit neatly and clasp at the back. 

They are a lovely and light and you hardly feel like you are wearing them but the shiny side of the glass catches the light very nicely. 

Materials: Glass, Stainless Steel. Various colours to choose from.

Dimensions: L 14 cm W 5 cm

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation

These kiln-formed and polished glass earrings are made in the artist's country studio on the outskirts of Canberra. The stainless-steel hanging wires fit neatly and clasp at the back. 

They are a lovely and light and you hardly feel like you are wearing them but the shiny side of the glass catches the light very nicely. 

Materials: Glass, Stainless Steel. Various colours to choose from.

Dimensions: L 11.5 cm W 6.5 cm

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation

These kiln-formed and polished glass earrings are made in the artist's country studio on the outskirts of Canberra. The stainless-steel hanging wires fit neatly and clasp at the back. 

They are a lovely and light and you hardly feel like you are wearing them but the shiny side of the glass catches the light very nicely. 

Materials: Glass, Stainless Steel. Various colours to choose from.

Dimensions: L 15 cm W 7.5 cm

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation

These kiln-formed and polished glass earrings are made in the artist's country studio on the outskirts of Canberra. The stainless-steel hanging wires fit neatly and clasp at the back. 

They are a lovely and light and you hardly feel like you are wearing them but the shiny side of the glass catches the light very nicely. 

Materials: Glass, Stainless Steel. Various colours to choose from.

Dimensions: L 12 cm W 7 cm

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation

These kiln-formed and polished glass earrings are made in the artist's country studio on the outskirts of Canberra. The stainless-steel hanging wires fit neatly and clasp at the back. 

They are a lovely and light and you hardly feel like you are wearing them but the shiny side of the glass catches the light very nicely. 

Materials: Glass, Stainless Steel. Various colours to choose from.

Dimensions: L 11.5 cm W 5.5 cm

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation

These kiln-formed and polished glass earrings are made in the artist's country studio on the outskirts of Canberra. The stainless-steel hanging wires fit neatly and clasp at the back. 

They are a lovely and light and you hardly feel like you are wearing them but the shiny side of the glass catches the light very nicely. 

Materials: Glass, Stainless Steel. Various colours to choose from.

Dimensions: L 10 cm W 6 cm

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation

These kiln-formed and polished glass earrings are made in the artist's country studio on the outskirts of Canberra. The stainless-steel hanging wires fit neatly and clasp at the back. 

They are a lovely and light and you hardly feel like you are wearing them but the shiny side of the glass catches the light very nicely. 

Materials: Glass, Stainless Steel. Various colours to choose from.

Dimensions: L 3.7 cm W 2 cm

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation

These kiln-formed and polished glass earrings are made in the artist's country studio on the outskirts of Canberra. The stainless steel hanging wires fit neatly and clasp at the back. 

They are a lovely and light and you hardly feel like you are wearing them but the shiny side of the glass catches the light very nicely. 

Materials: Glass, Stainless Steel. Various colours to choose from.

Dimensions: L 3.5 cm W 2.2 cm

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation

These kiln-formed and polished glass earrings are made in the artist's country studio on the outskirts of Canberra. The stainless steel hanging wires fit neatly and clasp at the back. 

They are a lovely and light and you hardly feel like you are wearing them but the shiny side of the glass catches the light very nicely. 

Materials: Glass, Stainless Steel. Various colours to choose from.

Dimensions: L 3.5 cm W 2.2 cm

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation

These kiln-formed and polished glass earrings are made in the artist's country studio on the outskirts of Canberra. The stainless steel hanging wires fit neatly and clasp at the back. 

They are a lovely and light and you hardly feel like you are wearing them but the shiny side of the glass catches the light very nicely. 

Materials: Glass, Stainless Steel. Various colours to choose from.

Dimensions: L 3.5 cm W 2.2 cm

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation

These kiln-formed and polished glass earrings are made in the artist's country studio on the outskirts of Canberra. The stainless steel hanging wires fit neatly and clasp at the back. 

They are a lovely and light and you hardly feel like you are wearing them but the shiny side of the glass catches the light very nicely. 

Materials: Glass, Stainless Steel. Various colours to choose from.

Dimensions: L 3.5 cm W (Circumference) 1.8 cm

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation

These kiln-formed and polished glass earrings are made in the artist's country studio on the outskirts of Canberra. The stainless steel hanging wires fit neatly and clasp at the back. 

They are a lovely and light and you hardly feel like you are wearing them but the shiny side of the glass catches the light very nicely. 

Materials: Glass, Stainless Steel. Various colours to choose from.

Dimensions: L 3.5 cm W (Circumference) 1.8 cm

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation

These kiln-formed and polished glass earrings are made in the artist's country studio on the outskirts of Canberra. The stainless steel hanging wires fit neatly and clasp at the back. 

They are a lovely and light and you hardly feel like you are wearing them but the shiny side of the glass catches the light very nicely. 

Materials: Glass, Stainless Steel. Various colours to choose from.

Dimensions: L 3.5 cm W (Circumference) 1.8 cm

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation

These kiln-formed and polished glass earrings are made in the artist's country studio on the outskirts of Canberra. The stainless steel hanging wires fit neatly and clasp at the back. 

They are a lovely and light and you hardly feel like you are wearing them but the shiny side of the glass catches the light very nicely. 

Materials: Glass, Stainless Steel. Various colours to choose from.

Dimensions: L 3.5 cm W (Circumference) 1.8 cm

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation

Materials: Kiln-formed glass

Dimensions: Diameter 19 mm

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation

These kiln-formed and polished glass earrings are made in the artist's country studio on the outskirts of Canberra. The sterling silver hanging wires fit neatly and clasp at the back. 

They are a lovely and light and you hardly feel like you are wearing them but the shiny side of the glass catches the light very nicely. 

Materials: Glass, Silver. Various colours to choose from.

Dimensions: L 3.3 cm x W 3.7 cm 

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation

These kiln-formed and polished glass earrings are made in the artist's country studio on the outskirts of Canberra. The sterling silver hanging wires fit neatly and clasp at the back. 

They are a lovely and light and you hardly feel like you are wearing them but the shiny side of the glass catches the light very nicely. 

Materials: Glass, Silver. Various colours to choose from.

Dimensions: L 3.3 cm x W 3.7 cm 

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation

These kiln-formed and polished glass earrings are made in the artist's country studio on the outskirts of Canberra. The sterling silver hanging wires fit neatly and clasp at the back. 

They are a lovely and light and you hardly feel like you are wearing them but the shiny side of the glass catches the light very nicely. 

Materials: Glass, Silver. Various colours to choose from.

Dimensions: L 3.3 cm x W 3.7 cm 

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation

In collaboration with glass artist, Brenden Scott French

Materials: Kiln formed glass with stainless steel brooch back.

Dimensions: Variable

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation.

These kiln-formed and polished glass earrings are made in the artist's country studio on the outskirts of Canberra. The stainless steel hanging wires fit neatly and clasp at the back. 

They are a lovely and light and you hardly feel like you are wearing them but the shiny side of the glass catches the light very nicely. 

Materials: Glass, Stainless Steel. Various colours to choose from.

Dimensions: L 6.5 cm W (Circumference) 3.75 cm 

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation

These kiln formed and polished glass earrings are made in the artist's country studio on the outskirts of Canberra. The stainless steel hanging wires fit neatly and clasp at the back. 

They are a lovely and light and you hardly feel like you are wearing them but the shiny side of the glass catches the light very nicely. 

Materials: Glass, Stainless Steel. Various colours to choose from.

Dimensions: L 6.5 cm W (Circumference) 3.75 cm 

About the Maker: Lisa Cahill's glass installations create a discourse about the Australian landscape and her affinity with it, often entwined with her Danish heritage. Inspired by both the natural world and the transitory nature of the urban experience, Cahill’s dreamlike images invite viewers to draw associations with their own remembered landscapes, resulting in a meditative and emotional response. Rather than a direct reproduction they are more her own interpretation of light and landscape and become a place for quiet contemplation

Material: Stainless steel

Dimensions: 28 mm x 53 mm

Each set comes beautifully packaged in a branded gift pouch complete with information about the maker. 

About the Maker: inSync design is owned by Iris, a creative entrepreneur who designs and crafts handmade pieces that are collectible and timeless. 

"I am inspired by women who have a self-possessed sense of style, embracing the offbeat and seek originality. They take pleasure in expressing themselves through inSync's distinct signature style, clever construction and organic forms.

As a maker, I strive to minimize my ecological impact by making pieces that will last the test of time due to the material choices and its timeless appeal. I am very conscious of creating pieces of value by considering functionality, recyclability, and durability of each piece."

Photos:  inSync Designs